Jazz made its way to Japan during the 1920s, introduced through a combination of records and visits from American musicians. However, it remained relatively niche until after World War II, when Japan found itself under United States occupation.

Throughout the war, jazz faced suppression, seen as a symbol of Western cultural influence, which was discouraged at the time. In fact, it was even labeled as “enemy music.” Despite these efforts, the genre’s popularity had grown too substantial for a complete ban to succeed.

The records and instruments brought by American servicemen with them left a heavy influence on Japan’s local music scene which sparked the emergence of jazz clubs and dance halls in cities like Tokyo and Yokohama, catering to both Japanese and American audiences.

The 1950s marked the inception of the Japanese jazz scene, with musicians like Sadao Watanabe and Toshiko Akiyoshi gaining recognition both within Japan and internationally.

Japanese jazz artists began fusing traditional Japanese elements with jazz, giving birth to a unique fusion known as “J-Jazz.”

As the 1960s and 70s rolled in, acts like Isao Suzuki and Masabumi Kikuchi pushed the genre’s boundaries. Japanese jazz also witnessed the rise of avant-garde and free jazz movements, with artists such as Kaoru Abe and Masayuki Takayanagi experimenting with unconventional and improvised sounds.

The 80s witnessed a surge in Japanese jazz’s popularity, with artists like Hiroshima and Casiopea gaining international recognition.

By the 1990s, jazz artists began incorporating elements of fusion, electronic, and world music. Musicians like Toshiko Akiyoshi, who led her big band in the United States, and virtuoso pianist Hiromi Uehara showcased Japan’s prominent role in contemporary jazz.

This Saturday (9th September), we are hosting the 10th edition of the TRC #JazzKissa at Abode Bombay in Colaba. From 5 PM to 7 PM, we’ll be playing iconic Japanese jazz curated by Mr. Ravi Rajagopalan. Don’t miss!