Ruhail Qaisar is an artist from Leh, Ladakh. His current practice revolves around examining threads of vernacular memory, mythos, and poetics through sound art, compositions, and found sculptures. Involved within various cross-genre projects since 2015, his early noise shows all over India are recalled as sonic palate-cleansers, he debuted with his concept album Fatima (2023) dubbed by The Quietus as "haunting", released on Danse Noire featuring Dis Fig, and Elvin Brandhi, with a 48-page photo-book publication. His music channels the abrasive force of noise and power-electronics into stark socio-political reflection, his work is shaped by geographic isolation and global rupture, this is music as pressure point and alarm. The commissioned hymnal piece for Les Urbaines written in collaboration with Gottfrid Ahman and Michael Anklin , Three Hymns of Cruelty (2022), which delved into the dynamics of Ladakhi procession music, was performed at Arsenic in Lausanne.