Name: Dhadak 2
Genre: Drama, Romance
Released: 2025-08-01
Rating: 6.8
Cast: Siddhant Chaturvedi, Tripti Dimri, Vipin Sharma, Zakir Hussain, Saurabh Sachdeva

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When Neelesh, an idealistic law student from a marginalised section of society, steps into an prestigious institution, he is thrust into a world that doesn’t reflect his own. His friendship with Vidhi, offers hope—until a wave of tragedy exposes the deep-rooted hierarchies he tried to outrun. He must confront the invisible forces that shape who we are allowed to become and who we love. A searing romantic drama about identity, power, and the cost of love in the world we live in.

Dhadak 2

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DHADAK 2 is the remake of the 2018 Tamil film PARIYERUM PERUMAL. Rahul Badwelkar and Shazia Iqbal's adapted story is simple yet hard-hitting. Also, it's not a scene-by-scene adaptation. Rahul Badwelkar and Shazia Iqbal's adapted screenplay is a bit dry in the first half but is quite effective post-interval. Rahul Badwelkar and Shazia Iqbal's dialogues are sharp.

Shazia Iqbal's direction is quite good. It mirrors the reality and how caste-based prejudice plagues the society even today. This makes DHADAK 2 one of the bravest films in recent times. The protagonists are well fleshed out and the issues that arise because of their love story makes for a great watch. The intermission point is shocking and it takes the film to another level. Equally powerful is the climax; it'll induce claps in cinemas.

On the flipside, the first half doesn't pack the intended punch. The way Neelesh and Vidhi fall in love so quickly seems a bit unconvincing. The track of Shekhar (Priyank Tiwari) gets a raw deal and the makers don’t properly justify its presence in the narrative. Lastly, the music is not up to the mark.                              Siddhant Chaturvedi plays a difficult role with ease. He is fully convincing as someone who wants to fight back but the limitations because of his identity prevents him from doing so. This dichotomy has been nicely brought alive by the young actor. Triptii Dimri delivers yet another superb performance. She maintains a strong position, even though her screen time is a bit limited in the second half. She shines in the pre-climax and climax. Saurabh Sachdeva (Shankar) has a crucial part and is terrific to say the least. Priyanka Tiwari is decent and she should have got more due. Vipin Sharma (Neelesh's father) has the most unique character in the film and as expected, he's dependable. Saad Bilgrami (Ronnie) is fair as the villain. Zakir Hussain (Principal Haider Ansari) and Harish Khanna (Vidhi's father Arvind) leave a huge mark. Deeksha Joshi, Aditya Thakare (Vasu), Abhay Joshi (Vidhi's uncle Prakash), Anubha Fatehpuria (Neelesh's mother) and Manjiri Pupala (Richa) do very well in supporting roles.
On the whole, DHADAK 2 makes an important comment on the caste system and works due to the subject, performances, hard-hitting scenes and powerful climax.


A remake of the Tamil movie Pariyerum Perumal and a sequel to Dhadak, director Shazia Iqbal’s film sets the narrative tone early on with the grim killing of a man for being in a relationship with a girl from an upper caste. The story then shifts to its protagonists, Nilesh and Vidhi, while touching upon the treatment of students from lower castes by their peers. Nilesh is ridiculed for his English, and a professor unceremoniously throws him out of class after dubbing his admission a “free seat.” Nilesh reminds us, “Free ki badi keemat chukaani padti hai” (one needs to pay the price for anything free). Alongside their budding romance, the narrative tackles the issue of casteism.
The film delivers several heart‑wrenching moments depicting the injustice meted out to oppressed castes—some subtle, such as Vidhi’s father (Harish Khanna) leaving out Nilesh’s surname from the guest list to his elder daughter’s wedding, and others painfully blatant, like Nilesh being smeared with sludge by classmates. The plot also explores the violence and false allegations people from lower castes often endure. While these incidents are gut‑wrenching, the romantic arc between the leads feels underdeveloped.
Written by Iqbal and Rahul Badwelkar, the narrative occasionally feels repetitive as it focuses heavily on Nilesh’s oppression. It also touches on student politics, showing Nilesh’s initial reluctance to get involved and hinting at his change of heart later, but the track fizzles out.
The world of Dhadak 2 is bleak but not entirely black and white. The college dean (Zakir Hussain), himself from a lower caste, recalls how he was beaten to keep him from studying, yet now influential people seek him out for their children’s admission. Nilesh’s upper‑caste friend remains steadfastly by his side.
Despite the intense subject matter, the film finds room for moments of humour that land well. The pacing is steady and Iqbal’s direction effective, though the final payoff could have been stronger. The narrative builds to a high, but the resolution is abrupt. The music, especially Siddharth–Garima’s soulful Duniya Alag and Javed–Mohsin’s heartfelt Bas Ek Dhadak, beautifully complements the narrative.
Siddhant Chaturvedi is excellent, capturing the transformation from a meek young man to a self‑assured individual. Triptii Dimri is convincing as a naive yet supportive partner, while Vipin Sharma makes a brief but memorable impact as Nilesh’s father.
The film is an engaging and heart‑rending watch, though the final resolution feels a touch restrained. It is worth watching for its sincere and sensitive portrayal of an issue that continues to plague society even today, and for a stellar performance by Siddhant Chaturvedi.

Remember the last scene in Dhadak, where Janhvi Kapoor’s silent scream leaves you shuddering? In ‘Dhadak 2’, the makers go in for a loud shout from Triptii Dimri in the climax. Even though it rings even after the curtain comes down, the impact is hardly the same.

The Shazia Iqbal-directed film attempts to tackle caste-based atrocities with courage, but not conviction. Unlike the original ‘Pariyerum Perumal’, it holds back from making the kind of sharp, fearless commentary the subject demands. What could have been a powerful political statement becomes a diluted narrative, seemingly softened to dodge censorship or controversy. The redubbed climax dialogues only add to the unease.
Still, Siddhant Chaturvedi delivers his finest performance yet, portraying Neelesh, a young man suffocating under the weight of caste shame and oppression. Triptii Dimri as Vidhi brings back her romantic intensity from ‘Laila Majnu’, matching Siddhant’s fire in several scenes.
Anubha Fatehpura and Vipin Sharma as Neelesh's parents shine throughout, while Zakir Hussain, as the college principal, adds some moral gravity, acting as a quiet catalyst in Neelesh’s arc. Manjari Pupala, Saad Bilgrami, Harish Khanna, Priyank Tiwari, and Aditya Thakare also give some powerful performances. Saurabh Sachdeva has the menace, smells of doom, but never truly becomes terrifying.
The inconsistency is the film’s biggest flaw, as it robs the story of its soul. Neelesh’s suffering is so fragmented that it rarely hits hard. The few moments that do land, his pet being killed by upper-caste goons, the suicide of his senior, him being humiliated by Vidhi's cousin, and his father being publicly stripped, are scenes that genuinely tear you up, but the tension is not sustained. Much like its protagonist, the film too seems to be negotiating its identity, yearning to say more but unsure of who’s listening.
On the other hand, there are also subtle jibes: Vijay Mallya claims not to cheat, and Arvind Kejriwal does not want to join politics. Triptii also gets her share of a monologue, as she tears apart the concept of ghar ki izzat. She pulls down beliefs of how eating noodles and wearing jeans makes a girl immodest and brings disgrace to the family. There are also some poignant dialogues: about the need to fight for respect, and one by Neelesh's father that redefines gender roles. These are the moments where the director truly deserves a pat on the back.

Shazia Iqbal also makes thoughtful use of the colour blue throughout, aligning it symbolically with the Jai Bhim movement. Portraits of Dr BR Ambedkar, Savitribai Phule, and Jyotirao Phule also find a dignified presence in the visual narrative. The film tries hard to mirror the brutal truths of caste oppression, but ultimately stops short of saying anything truly bold. And honestly, it's only in films that a heartfelt monologue can magically undo centuries of injustice - if only life worked that way.

‘Dhadak’ means a heartbeat, and it's almost ironic for a film that explores how one must force the heart to love within the bounds of caste. From ‘Sairat’ (2016) and ‘Dhadak’ (2018) to ‘Pariyerum Perumal’ (2018) and ‘Dhadak 2’ in 2025, not much has changed in society, and that's what's most disturbing. As for this latest film by Dharma Productions, it does leave you stirred but never shaken. ‘Dhadak 2’ has its heart in the right place and boasts compelling performances, but it stops short of becoming the powerful, unapologetic film it had the potential to be.


Bollywood just delivered a blockbuster with Saiyaara.

Now, we have Dhadak 2.

First things first. When I first watched the trailer, honestly, I cursed.

I thought they were going to ruin another brilliant film with a cheap remake. But Dhadak 2 proved me wrong!

My humble suggestion: Those who have watched the original Tamil film, Pariyerum Perumal should probably leave their biases behind before entering the theatre and watch Dhadak 2 as a fresh production.

 
When injustice becomes law, resistance becomes duty: This is the disclaimer the film begins with.

Here, you are warned that this is not a love story or an easy film for the faint-hearted.

Siddhant Chaturvedi plays Neelesh Ahirwar, an aspiring law student who gets through a top law university on a reservation quota. His classmates include students with surnames like Upadhyay, Verma, Agarwal, and, of course, Vidhi Bhardwaj (Tripti Dimri) and Raunak Bhardwaj (Saad Bilgrami).
Director Shazia Iqbal has done her homework well and gets the characterisation right.

In his first lecture, when Neelesh identifies himself as just Neelesh or Neelesh BA LLB, he doesn't spell it out. But you are aware that he is not proud of his background, what his parents do, or where he lives.

When someone asks where he lives, he would rather say Vijay Nagar, not Bheem Nagar.

As advised by his principal, Neelesh chooses to stay out of politics and activism so he can focus on his dream of becoming a lawyer.

But not a day goes when he is not reminded of his caste or lack of privilege.

The beauty of Dhadak 2 doesn't lie in giving a voice to the harassment and bullying, but also in capturing the quiet, everyday fight for survival. Like when his neighbour casually asks Neelesh if he got in through quota, he retorts, 'donation?' and that puts him in place.

Alongside Neelesh's struggle, there are so many parallel stories of India that would usually get buried in the less important pages of a newspaper.

There is a fixer (Saurabh Saxena) who wouldn't mind killing an innocent Dalit boy or a young upper caste girl simply because one of them dared to fall in love beyond the burden of their caste. Worse? He calls these cold-blooded murders 'samaj seva'.

There is a fearless student, who is fighting for a Dalit fellowship who tries to reason why reservation is relevant even after so many years.

And there is Vipin Sharma as the Dalit father who fought so he could work as a nautanki (trans-dancer).

Each story is presented with earnest intent, and that's why the incidents tug at your heart.
Each time Neelesh is abused, perhaps the intensity is not as hard-hitting as the original, but the impact is the same.

It is designed to make your blood boil, and each time he fights back, you'd want to grit your teeth and punch back too.

Siddhant is a startling actor and delivers one of his career-best performances even with his limited range of facial expressions.

He is not as raw or emotionally deep as Kathir, but he can make you wince and angry when he is in pain.

Dhadak 2 punches your gut right where it hurts. And that is the success of the film.

Several scenes will make you instinctively stand up and applaud the writers.

Like when his activist senior says, 'Tumhari ladaai bhook se nahi, haq se hai.'

Or when his principal gives him life-altering advice.

Or when his dad reminds him of his larger purpose, 'Tum kis ke liye ladh rahe ho?'

Vidhi is the feisty opposite of Neelesh, who lights up his otherwise uninspiring life.

Tripti breathes energy into the film.

Her emotional scenes are the best -- from the awkward first kiss to the way she expresses her aggression and angst against her orthodox family.

This is a performance-heavy film, and the chemistry between characters is as organic or awkward as it can get.

While Dhadak 2 has its intense moments, there are so many light-hearted scenes as well.

Dhadak 2 doesn't preach, but reminds us of the privilege some of us have and also the lack of it.

After a long time, here's a film that does justice to the people whose stories are never heard or written about.

Dhadak 2 deserves to be celebrated, watched, and streamed in as many theatres in India and abroad so more people, including the less privileged, find the courage to live and tell their truth.

Ever walked into a theatre with low expectations and walked out completely blown away? That’s exactly what happened as I sat and watched the 2 hours and 26 minutes long Dhadak 2 starring Siddhant Chaturvedi and Triptii Dimri. The movie, to my surprise, can easily be one of the best released so far.
In the 21st century, do we still need reservations in colleges and other places? When you go deeper into the system, you realise that the years might have changed, but the mindset? Not much. Dhadak 2 is a story set in a similar background.

A boy named Nilesh, who is said to be from an alleged “backwards" caste, tries hard to get into a college to pursue law. However, when he finally takes admission, he encounters a new battle, that of caste. He falls in love with Nidhi Upadhyay, but the two must fight every odd to stay together. The film presents their struggle as they protest against the system.
Siddhant Chaturvedi steals the show in this film. He doesn’t just play Nilesh, he becomes him. His sincerity on screen is so raw that every slap, every insult he endures hits the audience just as hard. He makes us believe in the honesty of his character, and by the end, you’re rooting for him with your whole heart. A true green-flag boy, as Vidhi would say. The green flag boy—away from the “men’s problem," as Vidhi likes to call it.

Meanwhile, Triptii Dimri does an equally compelling job. The innocence and the charm she had was somewhere getting lost in the glamour and glitz of some of her previous projects. But with Dhadak 2, she does justice to her role as Vidhi Upadhyay. Triptii comes across as a girl you can find in your household or maybe in your neighbourhood. She is that believable, and it’s a total win.
While all the supporting cast make the film what it is, it’s Saurav Sachdev who you will fear after watching the film.
It’s worth noting that Dhadak 2 isn’t an original story. It’s a remake of the much-loved Tamil film Pariyerum Perumal. But even as a remake, it feels fresh and meaningful, especially in a world full of sloppy adaptations. This one stands tall.

Dhadak 2 also serves as a spiritual successor to the 2016 film Dhadak, which marked Janhvi Kapoor’s debut alongside Ishaan Khatter. While the original centered on a love story strained by class differences and ended in tragedy, Dhadak 2 shifts focus to caste conflict, delivering a more grounded, stirring, and ultimately satisfying experience. Comparing performances would be unfair—Siddhant Chaturvedi and Triptii Dimri bring seasoned depth, whereas Janhvi was just finding her footing. It’s less a comparison, more an evolution, and Dhadak 2 wears its name with pride, delivering emotion with edge.
Dhadak 2 is the kind of film that screams good storytelling, and hence, it’s a clear reminder to everyone that good movies can still be made, if the heartbeat (Dhadak) is in the right direction.

If you’ve been craving an honest romantic thriller that’s believable, then trust me and don’t miss this one. Book your tickets now.



Sharp writing... Captivating, emotionally-charged second half... Solid performances... #Dhadak2 works for the most part... But the love story lacks the soul-stirring soundtrack that elevated the first part. #Dhadak2Review

Debutante director #ShaziaIqbal tackles a sensitive theme with honesty and restraint… The first half feels uneven – a few impactful moments aside, the narrative takes time to find its footing… But the interval episode turns the tide, setting the stage for a gripping and emotionally charged second half.

It's the post-interval portions that truly elevate the narrative – the drama is riveting, and the emotional graph soars… The finale – the chase followed by #Siddhant's intense outburst – is an absolute knockout.

The comparisons with #Dhadak [Part 1] are inevitable – that film had a timeless soundtrack that still resonates… #Dhadak2 has a decent soundtrack, but it lacks that one standout track that could have elevated the love story to greater heights.

#SiddhantChaturvedi stuns with a brilliant performance – raw, intense, and emotionally powerful… His act lends tremendous weight to the film... #TriptiiDimri is equally effective – vulnerable, restrained, and thoroughly convincing.

The supporting cast – #AnubhaFatehpuria, #ZakirHussain, #SaurabhSachdeva, #VipinSharma, #SaadBilgrami, and #PriyankTiwari – shine in well-etched parts.

⭐️ #Boxoffice prediction: This one's a word-of-mouth film… Released amidst stiff competition – #Saiyaara, #MahavatarNarsimha, and #SOS2 – the film's prospects largely depend on audience acceptance.

Nilesh (Siddhant Chaturvedi) is a determined law student from a lower caste. Vidhi (Triptii Dimri) is an upper-caste girl living happily with her father and siblings. They study together at the National Law University in Bhopal. Nilesh lacks a strong English background and struggles to grasp new concepts. The two become close friends after Vidhi decides to teach Nilesh fluent English to improve his prospects in the field of law. As they learn more about each other, their friendship blossoms into love.
Vidhi invites Nilesh to her sister’s wedding. However, Vidhi’s father grows suspicious of their growing closeness and warns Nilesh to stay away. Vidhi’s brother takes it a step further, humiliating Nilesh. Nilesh and Vidhi’s relationship now faces fierce opposition from Vidhi’s semi-conservative family, who are willing to go to extreme lengths, including hiring a contract killer, Shankar (Saurabh Sachdeva), to stop it.

Will Nilesh and Vidhi’s love triumph, or will her family prevent it? Watch Dhadak 2 to find out.
Dhadak 2’s biggest strength is its grittiness, which feels raw and real, especially in the first half. Shazia Iqbal captures the ugly truth of caste discrimination with great honesty, helping viewers understand the weight of Nilesh’s struggles. The opening scene, where Saurabh Sachdeva as Shankar ruthlessly kills a boy, is haunting and sets the stage for the film’s bold tone. 
The film’s heart is in the right place. It tackles a serious issue that remains relevant today. The story flows smoothly, keeping viewers engaged as the love story unfolds against a tense backdrop. The film's colour grading syncs with its dark and uncertain tone. The title track Bas Ek Dhadak is soulful, as are other songs like Tu Meri Dhadak Hai and Duniya Alag. The background score is hauntingly effective. There's a scene towards the end of the film where Nilesh finds his college friend in a questionable state, and the chilling score in that scene gives you goosebumps. There also is a scene where Vidhi tries finding out about why Nilesh is not talking to her, and needless to say, that scene is also elevated by the background music.
Siddhant Chaturvedi delivers a sincere performance as Nilesh. He’s at his best in scenes where he’s humiliated yet stands tall. Triptii Dimri brings grace and charm to Vidhi, making her relatable as a girl caught between love and societal pressure. Both actors could do better in emotional scenes. 

Saurabh Sachdeva steals the show as the chilling Shankar. His calm yet menacing presence adds a layer of dread, especially in the shocking opening scene. Vipin Sharma is a standout as Nilesh’s father, bringing warmth and heartbreak, particularly in scenes where he faces public humiliation. Zakir Hussain also leaves a mark as the principled yet conflicted college principal.
Dhadak 2 is a bold and heartfelt attempt to blend romance with a powerful social message. It’s gritty and hard-hitting. However, the overly dramatic, too-good-to-be-true ending and the lack of originality as a remake hold it back from being truly memorable. Overall, Dhadak 2 is a respectable effort that could have been even better with a more grounded climax.

There was a lot more to the 2016 Marathi film Sairat than its historic commercial achievement. There was a lot more to that film than its aching and sweeping love story. Director Nagraj Manjule’s ballsy, bold, and bone-chilling film was a haunting portrayal of caste politics with one of the most walloping climatic scenes in recent memory. When Dharma Productions remade this blockbuster in the form of Dhadak two years later, the cosmetic treatment never allowed the film to move beyond a banal love saga of two different individuals in love. Then came the 2018 Tamil film Pariyerum Perumal, again a take on two people united by passion and divided by politics. The leading production house of Bollywood has now eyed on this saga too. They have even given it the same title and added a 2 to it.
This isn’t a spiritual sequel but a rather scary one. From 2016 till 2025, the movies show how the nation may not have evolved one bit. The upper echelons continue to gaze at the lower strata with a sense of dislike and disdain. At least this is what the four movies tell us. The protagonists in the originals felt like they truly occupied the world they were thrown into. For the remakes, the makers cast names who you wouldn’t imagine playing these characters. But which actor wouldn’t like to expand its oeuvre? So it was Ishaan Khatter and Janhvi Kapoor for Dhadak, and it’s Siddhant Chaturvedi and Triptii Dimri for Dhadak 2.
Chaturvedi, who made a solid impression in the rousing and remarkable Gully Boy (2019), kind of lost track of his fluidity in his (rightful) attempt to entice a wider audience. But Dhadak 2 stands miles ahead of turgid titles like Phone Bhoot and Yudhra. For Dimri, it’s the opposite. The soulfulness and effervescence of Laila Majnu, Bulbbul, and Qala got eclipsed by the erotica and staggering success of Animal. But for this actress too, it’s a performance that isn’t as limp as Bhool Bhulaiyaa 3 and Bad Newz. And then there’s the omnipresent and overpowering Saurabh Sachdeva. His bruised eyes and brooding aura suggest hurt. The intimidating baritone always acts like a trigger warning for impending doom.
This is Aditya Thakare’s debut film, who plays Vasu, and he has done a fabulous job portraying his character. Transitioning from a comedy content creator to taking on such a serious role, he has truly showcased his potential in his very first film. Watch out for him!

Dhadak means heartbeat, but once you’ve seen both the films, you get a sense that there couldn’t have been a more ironic moniker for the stories given how impossibly difficult it is for two different people to breathe the air of love. The names and the environment may have changed in these seven years, the essence remains constant. What has also remained intact is how the censor board continues to mutilate crucial conversations about case politics snd reservation in movies. The incoherent dubbing dilutes the effect of the narrative. But it’s good to see a story touching this side of history after Anubhav Sinha’s Article 15.
And unlike the first film in the franchise, Dhadak 2 gets the heartland and humour right. Chaturvedi’s Nilesh is his most vulnerable outing yet. And despite the endless trauma he’s subjected to, Nilesh is all heart. He cracks some amusing one-liners, pays homage to Shah Rukh Khan from Veer Zaara, and his feeble body language makes you empathize with his plight. Dimri’s more composed in her language because of her caste. And the two may not light up the screen with their chemistry, you do want them to be together. That’s more than half of the job done. Such is the trauma of the hero and the nature of the story, the moment he cracks a smile, you know he’s about to be harrowed soon. And some scenes create a lump. Nilesh is urinated on, thrown mud-water on, his father is publicly mortified. The battle finally ends for him, but it may not be true for others.
Dhadak 2 may not change the scheme of things despite shedding light on the dark side of the nation. It also at times bites more than it can chew, with the screenplay juxtaposing horror and humour together. And given the wave of a recent romantic blockbuster too famous to be reminded again, it will be interesting to see how this one is received. If Saiyaara, despite a happy ending, made people cry buckets of water, this romantic drama may go a step ahead. The film may end but the caste battle won’t. What’s there in a name huh?

DHADAK 2 - OFFICIAL TRAILER | Siddhant Chaturvedi | Triptii Dimri | Shazia Iqbal | 1st August

Siddhant Chaturvedi is an Indian film actor. He starred as a teenage cricketer in the Amazon Prime Video web series Inside Edge from 2017 to 2019 and ventured into Bollywood films with the supporting role of a street rapper in the musical drama Gully Boy.

Siddhant Chaturvedi

Tripti Dimri is a hindi film actor. She made her acting debut with Bobby Deol and Sunny Deol in the movie Poster Boys.

Tripti Dimri

Vipin Sharma is an actor and film editor best known for his works in Taare Zameen Par, Gangs of Wasseypur and Rainbow. An alumnus of the prestigious National School of Drama, Sharma has also appeared in web series and TV shows.

Vipin Sharma

Zakir Hussain

Saurabh Sachdeva is an Indian actor and acting coach. He started his film career in Maroon, which was released in 2016. He received critical acclaim for his character Suleiman Isa in the Netflix series Sacred Games in 2018. 

Dhadak 2

Dhadak 2(2025)

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