Name: EPiC: Elvis Presley in Concert
Genre: Documentary
Released: 2026-02-20
Rating: 7.5
Cast: Elvis Presley

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This concert film presents Elvis Presley on stage during his later live performances, capturing his voice, presence, and connection with the audience. Featuring restored footage and remastered sound, the film highlights his enduring stage charisma. The focus remains on performance, music, and the energy of a live concert experience.

EPiC: Elvis Presley in Concert

Times of India

The Indian Express

‘EPiC: Elvis Presley in Concert,’ directed by Baz Luhrmann, is not a traditional documentary. It is built almost entirely from restored concert footage and audio recordings of Elvis Presley, focusing mainly on his Las Vegas years in the 1970s. Instead of experts explaining his importance, the film lets Elvis speak through his own recorded conversations and performances. The result is a film that feels direct and performance-driven rather than analytical and does not attempt to retell his life story. It stays close to the stage, where Elvis was most alive, and allows the music to carry the experience.
The strongest part of the film is the performance footage. The restoration work is impressive without feeling artificial. The sound is clear, the image is steady, and the camera captures small details like the sweat, the smiles, and his exchanges with the band. These scenes remind viewers why Elvis became such a powerful live act. His control over the audience is visible. He shifts from playful to intense within seconds. Songs like “Suspicious Minds” and “Burning Love” are shown in long stretches, allowing the rhythm and emotion to build naturally. The film understands this well that cutting the songs too quickly would reduce the impact, so it lets the performances breathe.
Another key element is the use of Elvis’s own voice outside the stage moments. Audio recordings of him speaking about fame, pressure, and his need to perform are woven through the film. This adds elements of intimacy to the documentary. Instead of a narrator shaping the story, Elvis shapes it himself. However, the film carefully selects what it wants to show. The focus remains on his dedication to music and his connection with the audience. It avoids going deep into the darker parts of his life. There is little examination of his personal struggles, health issues, or the larger cultural debates around his career. This selective approach makes the film feel controlled and limited.
The film does not try to judge him or break down every decision he made. It celebrates his stage presence and artistic discipline. For fans, this approach works well, and it offers a chance to see him in high-quality footage, performing with full energy. The concert material feels alive rather than archival, and even those who are not devoted followers can understand why audiences once filled arenas to watch him. At the same time, those looking for a study of the man behind the image may feel that something is missing.
‘EPiC: Elvis Presley in Concert’ remains a strong and engaging film, but it is not a complete portrait of the star. It succeeds as a performance experience and as a tribute to Elvis’s power on stage, but it fails when it comes to a full exploration of his life. The music carries the film, and the restored footage gives it energy and clarity. For viewers who want to experience Elvis the performer, the film delivers, and for those expecting a probing documentary, it may feel carefully shaped and documented. Even so, the film proves that decades later, Elvis Presley’s presence on stage still commands attention.

While director Baz Luhrmann’s 2022 feature Elvis buried its subject in frenzied editing, split screens and so much chaos, his concert documentary, EPIC: Elvis Presley in Concert, on the king of rock ‘n’ roll, does the opposite: it finally lets Elvis breathe.

Conjured mainly from 59 hours’ worth of unseen footage unearthed by Luhrmann’s researchers from a working salt mine in Kansas, where Warner Bros use the underground vaults, 650 feet below ground, to store and preserve valuable film reels, costumes, and props, this vibrantly coloured documentary comes with considerable restraint. And therein lies its triumph.
Nearly five decades after his death at 42, Elvis cuts through decades of noise and myth surrounding him. It is as if Luhrmann is screaming ‘Elvis Lives’ – a rebuttal to the posters with the famous slogan ‘Elvis is Dead’, once born out of the meteoric rise of The Beatles in the 1960s. Luhrrmann simply pans the camera on his Las Vegas residencies in the ’60s, besides a few other concerts, and there he is: the devastatingly handsome Elvis with the playful curl of his lip and sweat glistening on his face, strutting and crooning on stage in those iconic colourful jumpsuits with winged collars and theatrical capes. And no, he doesn’t miss a note. Elvis comes alive in the only way that ever mattered: on stage, under the spotlight, clutching that microphone, crooning those hits such as I’ll be falling in love with you, Jailhouse rock, You ain’t nothing but a hound dog and Suspicious minds, among others. Steeped in gospel, from a growl to a whisper, there is the stretch of the notes and him moving, shaking and jolting the famed left leg that had a life of its own, attuned to the beat, dancing away. And no, he still doesn’t miss a note.
The motion picture by Luhrmann in 2022, starring Austin Butler and Tom Hanks, left me with the question: what fascinated Luhrmann about Elvis’ music? Mainly because in that hectic film everything felt like one Instagram reel after another, without much of a deep dive into what Elvis thought and felt or his Republican leanings (He had spoken to Richard Nixon about The Beatles, who were ruling the game then, being anti-American and promoting drugs).

But EPIC delivers what it promises: it captures the charisma of Elvis; even the electricity of his gyrations, considered scandalous back then. Elvis, of course, never saw his moves as profane. To a question if he has scandalised the public, he says, “I haven’t. Because I don’t think I’ve done anything wrong.” Then there is all the hysteria: women screaming, tossing their undergarments at him, reaching to touch him, kiss him, him kissing them back, the primal frenzy is there in all its glory.

The film still doesn’t delve into much of his politics, except highlighting that he chose not to speak on political matters and would always say that he was just an entertainer.
Written by: Suanshu Khurana
5 min readFeb 25, 2026 02:18 PM IST
Baz Luhrmann filmEPIC: Elvis Presley in Concert review: Elvis Presley's documentary is directed by Baz Luhrmann.
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EPIC: Elvis Presley in Concert review: While director Baz Luhrmann’s 2022 feature Elvis buried its subject in frenzied editing, split screens and so much chaos, his concert documentary, EPIC: Elvis Presley in Concert, on the king of rock ‘n’ roll, does the opposite: it finally lets Elvis breathe.

Conjured mainly from 59 hours’ worth of unseen footage unearthed by Luhrmann’s researchers from a working salt mine in Kansas, where Warner Bros use the underground vaults, 650 feet below ground, to store and preserve valuable film reels, costumes, and props, this vibrantly coloured documentary comes with considerable restraint. And therein lies its triumph.

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Nearly five decades after his death at 42, Elvis cuts through decades of noise and myth surrounding him. It is as if Luhrmann is screaming ‘Elvis Lives’ – a rebuttal to the posters with the famous slogan ‘Elvis is Dead’, once born out of the meteoric rise of The Beatles in the 1960s. Luhrrmann simply pans the camera on his Las Vegas residencies in the ’60s, besides a few other concerts, and there he is: the devastatingly handsome Elvis with the playful curl of his lip and sweat glistening on his face, strutting and crooning on stage in those iconic colourful jumpsuits with winged collars and theatrical capes. And no, he doesn’t miss a note. Elvis comes alive in the only way that ever mattered: on stage, under the spotlight, clutching that microphone, crooning those hits such as I’ll be falling in love with you, Jailhouse rock, You ain’t nothing but a hound dog and Suspicious minds, among others. Steeped in gospel, from a growl to a whisper, there is the stretch of the notes and him moving, shaking and jolting the famed left leg that had a life of its own, attuned to the beat, dancing away. And no, he still doesn’t miss a note.

Watch EPIC: Elvis Presley in Concert trailer:


Luhrmann has restored the footage wonderfully and presented Elvis with much panache. In fact, through this film, being screened in IMAX halls with surround sound, he gives Elvis the world tour he never got due to his exploitative manager, Colonel Tom Parker, in the driver’s seat. Parker was an illegal Dutch immigrant and was worried that if he left America, he wouldn’t be able to enter back again. He never accepted other invitations.

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The motion picture by Luhrmann in 2022, starring Austin Butler and Tom Hanks, left me with the question: what fascinated Luhrmann about Elvis’ music? Mainly because in that hectic film everything felt like one Instagram reel after another, without much of a deep dive into what Elvis thought and felt or his Republican leanings (He had spoken to Richard Nixon about The Beatles, who were ruling the game then, being anti-American and promoting drugs).

But EPIC delivers what it promises: it captures the charisma of Elvis; even the electricity of his gyrations, considered scandalous back then. Elvis, of course, never saw his moves as profane. To a question if he has scandalised the public, he says, “I haven’t. Because I don’t think I’ve done anything wrong.” Then there is all the hysteria: women screaming, tossing their undergarments at him, reaching to touch him, kiss him, him kissing them back, the primal frenzy is there in all its glory.

The film still doesn’t delve into much of his politics, except highlighting that he chose not to speak on political matters and would always say that he was just an entertainer.

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It is amid the rich music that Luhrmann builds the narrative of Elvis’s life, about a white boy born poor in Tupelo in 1935 and growing up amid Black kids and Black music that drifted across racial lines. Growing up with gospel and blues in Memphis, inspired by BB King, this is the music that shaped his sound. For many white kids, this was also their first encounter with the sound otherwise available on what were called “race records”. He took it and made it more.

The film whitewashes over most of his personal life. His marriage to Pricilla isn’t there, his passionate affair with actor and singer Ann-Margret, who was one of the few people to attend his funeral, is missed. His relationship with Parker, who steered his career for better or for worse, is barely examined. But what the film thoroughly understands and shows us – through concerts, rehearsals, conversations with the press — is the music of Elvis and the man who built a home inside it. At a time when AI can create almost anything musically, one sees Elvis Presley, this raw, brilliant musician in this concert film, as a reminder of what we’ve lost. And how there would never be another Elvis.

EPiC: Elvis Presley in Concert | Official Teaser Trailer

 Elvis Presley

EPiC: Elvis Presley in Concert

EPiC: Elvis Presley in Concert(2026)

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