Name: Eternity
Genre: Comedy, Fantasy, Romance
Released: 2025-11-28
Rating: 6.5
Cast: Elizabeth Olsen, Callum Turner, Miles Teller

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In a liminal afterlife where souls have just one week to choose their eternal resting place, Joan must make an unthinkable decision, between the man she built a life with, and the first love who died young and has been waiting for her ever since.

Eternity

Times of India

India Today

David Freyne’s ‘Eternity’ is a gentle and steady film. He takes an idea about the afterlife and treats it with warmth instead of mystery. The film starts where life ends, yet it never feels dark. Freyne focuses on small feelings, quiet moments, and relationships that still matter even after people are gone. The tone stays calm and thoughtful throughout, and the film asks you to think about how love and regret stay with us. It feels like a film made with genuine care. Freyne seems more interested in honesty than spectacle. Nothing about it feels rushed or overdone.
The story follows Larry (Miles Teller) and Joan (Elizabeth Olsen), a married couple who die only days apart. In the afterlife, everyone gets one week to decide what their eternity will look like. Larry waits for Joan with hope, holding on to the life they built together. Joan arrives and is shocked to see Luke (Callum Turner), her first husband, who died young and appears as the best version of himself. She suddenly must face two parts of her life at once—the life she built with Larry and the life she lost with Luke. The guides (played by Da’Vine Joy Randolph and John Early) in this world help them walk through memories and moments that push them to face their real feelings. The setup is simple, but it opens the door to many honest emotions. It also forces the characters to be truthful in a way they couldn’t be while alive.
The afterlife here is shown simply, like a quiet space where people reflect. The pacing is slow but intentional. Freyne avoids big dramatic twists and focuses on honest conversations and small gestures. These small moments give the film its heart. The world around the characters shifts softly, as if shaped by their emotions. It can feel sentimental, but it stays believable because the film doesn’t force anything. Every scene seems designed to let the characters breathe. The film builds its meaning through patience rather than surprises. It trusts the audience enough to sit with silence.
Miles Teller plays Larry with a mix of strength and insecurity. Elizabeth Olsen gives Joan a thoughtful and layered presence, someone who has tried to do the right thing but still carries old emotions. Callum Turner brings warmth to Luke, making him feel like someone who belongs both in a memory and in the present. The supporting cast adds light humor and gentle support. Their small contributions help build a world that feels lived in. Nothing about the performances feels artificial. Every actor seems fully aware of the film’s quiet tone and matches it well.
In the end, ‘Eternity’ isn’t about rules of the afterlife. It’s about the feelings people avoid and the choices they never fully faced. Freyne tells a simple but honest story about regret, love, and closure. The film doesn’t try to give big answers. It ends with a calm, clear sense of understanding. ‘Eternity’ is a warm, genuinely charming romantic film with an afterlife twist—not perfect, but definitely meaningful. It leaves you thinking about your own choices without pushing too hard. That quiet impact is the film’s real strength. It’s the kind of film that stays with you more for its sincerity than its plot.

David Freyne’s Eternity arrives with a premise so disarming you almost forgive it upfront. It is a rom-com staged in the afterlife, where you get exactly one week to decide where, and with whom, you’ll spend the rest of forever. What could have been a high-concept gimmick blooms instead into a funny, wistful meditation on love, memory, and the impossible decisions that define a life.
It’s not technically dazzling, and it doesn’t pretend to be, but Eternity knows where its soul lies. The afterlife here is less divine revelation and more pastel bureaucracy with laminated maps, themed worlds like Beach World, Queer World or Men Free World (read: everyone’s current favourite) along with polite ACs (Afterlife Coordinators) who look like they were trained at a celestial DMV. The mid-century production design is the film’s strongest formal imprint, part hotel lobby, part office, part Disneyland for the newly deceased. It’s whimsical without floating away, grounding a metaphor that could easily have become unwieldy.

But Freyne wisely refuses to get trapped in his own rules. The cosmology doesn’t make much sense, and the film seems gently aware of this. It works best when it stops trying to justify its “one eternity, one destination” system. Instead, Eternity settles into what it wants to be: a romantic fable about who we were, who we became, and who we still long to be.
At the centre of it all is Elizabeth Olsen, luminous as Joan, an 86-year-old woman who has lived a full life, raised children, and loved sturdily. Her bewildered arrival at this cheerful purgatory is quickly complicated by the presence of Luke (Callum Turner), her first husband, who died young and has been waiting decades to choose eternity with her. Turner plays Luke like a memory brought to life, tender, idealised, slightly softened at the edges. And then there’s Larry (Miles Teller), Joan’s second husband, stubborn, warm, tangible in a way nostalgia can never be. One man is the myth of youth; the other, the reality she built.\
What Eternity refuses to do and what marks its emotional maturity is villainise any of them. Joan’s confusion is treated not as betrayal but as an honest reckoning with the loves that shape us. The film’s best moments live in these small fractures, first loves that linger not because they were better, but because they arrived before life got messy.

The ensemble keeps the tone buoyant. Da’Vine Joy Randolph and John Early inject sharp humour as afterlife administrators, while Olga Merediz adds warmth as Joan’s late best friend. Even when the third act stumbles, the emotional spine holds.
By the end, Joan’s choice may not be the one you expect, but it feels earned. Eternity doesn’t reinvent the metaphysical rom-com, yet it leaves you a little softer, a little more reflective. For a film about forever, a tender afterglow is victory enough.

Elizabeth Olsen is an American actress best known for her portrayal of Wanda Maximoff or Scarlet Witch in the Marvel Cinematic Universe. She made her acting debut at the age of four and has starred in movies like Godzilla, Oldboy and the independent thriller drama Martha Marcy May Marlene in which her performance won multiple awards. She studied at the Moscow Art Theatre School as well as at the Atlantic Theater Company Acting School in New York City.
She is the younger sister of twin TV actresses Mary-Kate and Ashley Olsen.

Elizabeth Olsen

Callum Robilliard Turner is a British actor and model, who is known for his roles as Theseus Scamander in Fantastic Beasts: The Crimes of Grindelwald, Bill Rohan in Queen and Country, Eli in E4 series Glue and Shaun Emery in the BBC One TV series The Capture. 

Callum Turner

Actor and musician Miles Teller is an American actor and made his debut with the movie Rabbit Hole. This movie gained him a lot of recognition and established him as a fine actor in the industry. Miles Teller did many movies which include The Spectacular Now(2013), Whiplash(2014), Project X(2012), Bleed For This (2016), Two Night Stand(2014), Insurgent(2015) and a lot more. 

Eternity

Eternity(2025)

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