Name: Hok Kolorob
Genre: Drama, Social
Released: 2026-01-23
Rating: 6.0
Cast: Saswata Chatterjee, Sreya Bhattacharya, Partho Bhowmik, Rohaan Bhattacherjee, Raj Chakraborty

Set against a backdrop of growing unrest, voices rise around shared concerns and collective expression. Personal conviction and group identity begin to intersect as momentum builds. Action, resistance, and consequence shape the unfolding events.

Hok Kolorob

Times of India

Raj Chakraborty’s Hok Kolorobtakes inspiration from real-life campus incidents to explore the emotional and social fallout of ragging, student unrest and institutional breakdowns. The film opens with the tragic death of a fresher in a hostel, an event that sends shockwaves through the campus and gradually escalates into protests, confrontations and rising tension. It is a timely subject, and the film approaches it with sincerity and visible intent.
One of the film’s strongest pillars is Saswata Chatterjee, who delivers a controlled and powerful performance as the police officer handling an increasingly volatile situation. His restrained approach adds realism and weight, grounding the film during its most dramatic moments.
Among the younger cast, John Bhattacharya makes a strong impression with a sincere and emotionally grounded performance, while Rohan Bhattacharjee is convincing as the young police officer, bringing intensity and emotional restraint to his role, even though the character could have been explored in greater depth. Sreya Bhattacharyya stands out with a natural, understated performance, adding warmth and authenticity to several emotionally resonant moments.
The screenplay is built on a solid foundation and features several impactful dialogues that reflect grief, frustration and the desire for change. At its best, the film delivers emotionally charged sequences that resonate with the audience. However, the storytelling frequently leans into heightened drama. The protest sequences, though visually engaging, sometimes feel overstretched and stylised, especially toward the latter half of the film, where the tone becomes increasingly melodramatic.
Music plays a major role in shaping the mood. While the background score heightens tension in certain scenes, it often becomes louder than necessary, overpowering performances and reducing subtlety. A more measured musical approach could have allowed emotions to unfold more organically.
Technically, the film shows ambition but remains inconsistent. Some campus visuals and crowd scenes are effectively staged, capturing the scale of unrest, while certain action sequences lack smooth choreography and refinement. Editing, particularly in the middle portions, feels uneven, affecting pacing and narrative flow. There are also brief attempts at humour within serious moments, which occasionally disrupt the emotional continuity.
Despite these limitations, Hok Kolorob remains a sincere and emotionally driven film that addresses significant social issues. Its strong performances, especially from Saswata Chatterjee, and its commitment to relevant themes ensure it maintains engagement and emotional impact throughout.

Hok Kolorob (হোক কলরব)| Official Trailer | Saswata Chatterjee | Raj C | In Cinemas 23rd January 2026

One of the most versatile actors in contemporary Bengali cinema, Saswata Chatterjee is perhaps best familiar to the Indian audience for his brilliant portrayal of cold-blooded assassin Bob Biswas in the Bollywood mystery thriller Kahaani (2012), though his rich acting repertoire features a number of other great performances. Following his debut in the mid-1990s, Saswata first rose to prominence when he essayed the role of Topshe, the sidekick of Satyajit Ray`s iconic sleuth Feluda, in a series of tv movies and shows based on the characters.

Hok Kolorob(2026)