Name: Rocky Aur Rani Kii Prem Kahaani (2023)
Genre: Drama, Romantic
Released: 2023-07-28
Rating: 7.5
Cast: Ranveer Singh, Alia Bhatt, Dharmendra, Jaya Bachchan, Shabana Azmi

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Rocky Aur Rani Kii Prem Kahaani is a Bollywood film directed by Karan Johar, starring Ranveer Singh and Alia Bhatt in the lead roles.

Rocky Aur Rani Kii Prem Kahaani (2023)

Bollywood Hungama

Times of India

India Today

News18

Let me start with a proverb…

“Stab the body and it heals.

But injure the heart and the wound lasts a lifetime.”

Matters of the heart can get complicated at times. That, in a nutshell, is the essence of ROCKY AUR RANI KII PREM KAHAANI, which marks Karan Johar’s return to direction after seven long years.
On face-value, ROCKY AUR RANI KII PREM KAHAANI may come across as yet another prem kahaani from Dharma. After all, KJo has a penchant for love stories, which is evident in his choice of films as a storyteller. However, ROCKY AUR RANI KII PREM KAHAANI packs a lot more than Rocky and Rani’s romance in those [approx] 2.49 hours.

Now to the pertinent question: Does KJo get it right? Oh yes, he does. ROCKY AUR RANI KII PREM KAHAANI wins Round 1 by casting the right names for the pivotal characters, namely Rocky [Ranveer Singh], Rani [Alia Bhatt] and the three stalwarts [Dharmendra, Jaya Bachchan and Shabana Azmi]. Having said that, the real triumph lies in its storytelling, which surprises you at several points. More on that later!

The plot *without* spoilers… Opposites attract! Rocky Randhawa [Ranveer Singh] and Rani Chatterjee [Alia Bhatt] are drawn towards each other, but realize that it’s not easy to win over their respective families. That’s when they hit upon the unique idea to switch places: Rocky will reside with Rani’s family in her house, while Rani will move into Rocky’s palatial mansion and win over his family.

Of course, there’s another subplot that moves concurrently, but we aren’t revealing that.
ROCKY AUR RANI KII PREM KAHAANI is not an easy film to write and execute. It’s clear that KJo has moved on with the times. This is evident in the screenwriting — it’s progressive and addresses societal issues. Also women empowerment. Additionally, KJo knows how to translate emotions on screen, an aspect that plays out in the third act of the film.

It’s fascinating to see how the women [Alia, Jaya Bachchan, Shabana Azmi, Churni Ganguly, Kshitee Jog] take the centre stage this time. Sure, the men [Ranveer, Dharmendra, Aamir Bashir, Tota Roy Choudhury] are integral to the story, but the dramatic moments involving the women and some of the lines delivered by them are sure to leave an impact.

ROCKY AUR RANI KII PREM KAHAANI bears the stamp of an accomplished storyteller, with KJo avoiding the tried-and-tested rom-com template to move things. For instance, the integration of timeless tracks in the narrative is so refreshingly hatke. Also, the dramatic twist before ‘Dhindhora Baje Re’ and the heated argument that follows is brilliant.

The writing [Ishita Moitra, Shashank Khaitan, Sumit Roy] doesn’t fall prey to mediocrity at any stage. It encompasses drama, emotions and romance seamlessly. Would like to make a special mention of the dialogues [Ishita Moitra], which garnishes the sequences beautifully. DoP Manush Nandan creates some stunning frames and does complete justice to the scale.
The film overstays its welcome and how one wishes KJo and his editor [Nitin Baid] would’ve kept the run time in check, not stretching beyond 2.30 hours.

The soundtrack [Pritam] is catchy and peppy. ‘Tum Kya Mile’ has a strong shelf life, while ‘What Jhumka?’ is already popular on reels. ‘Dhindhora Baje Re’ — released few days prior to its theatrical release — is sure to climb the popularity charts once you watch the film and realise its relevance to the proceedings.

The choice of actors is perfect, that’s also one of the reasons why the written word carries weight. Ranveer Singh is terrific in a role that seems tailored for him. Agree, he has portrayed a North Indian character in the past [including his launch pad BAND BAAJA BAARAAT], but you cannot accuse him of repeating his act. He makes you laugh with his faulty English, but it’s in the emotional moments that he proves his calibre.

Alia Bhatt is in superb form. Her confidence — especially in sequences with Jaya Bachchan — is remarkable. And the outburst towards the pre-climax deserves brownie points. Also, her Bengali dialect will win her immense praise. Alia proves, yet again, that she’s in a league of her own. Moreover, she shares a wonderful chemistry with Ranveer.

The veterans leave a mark in their respective parts. Dharmendra is so good, it’s great to see him on the big screen after a hiatus. Jaya Bachchan is electrifying. Her commanding presence, authoritative attitude and cold stares — this is a stand-out act that’s sure to be talked about by moviegoers. Shabana Azmi is fantastic, delivers a controlled performance without going overboard in any sequence.

Aamir Bashir and Kshitee Jog [Ranveer’s parents] and Tota Roy Choudhury and Churni Ganguly [Alia’s parents] excel in their respective parts. Would like to make a special mention of Tota Roy Choudhury’s graceful dance on two occasions and Churni Ganguly’s sequence in a store.

On the whole, ROCKY AUR RANI KII PREM KAHAANI is a well-packaged entertainer that has ample merits to strike a chord with the youth as well as families. At the box-office, it has the potential to emerge a success story.

With a dance number featuring a bevvy of Bollywood stars—Varun Dhawan, Sara Ali Khan, Janhvi Kapoor, and Ananya Pandey alongside Ranveer Singh, the opening quickly indicates what’s in store for us in this family drama. The film is colourful, entertaining, light, and glam and has all the tropes of a Karan Johar film, but there is a message and meaning beneath it all. It gently addresses deep-rooted issues such as patriarchy, gender bias, misogyny, body shaming, and the cancel culture in our society. But all of this is delivered subtly and clearly in the narrative, without letting go of the pulse of humour or clamouring for all the attention in the screenplay.
Rocky Randhawa (Ranveer Singh) is a flamboyant scion of a successful family mithai magnate called Dhanlaxmi. Rocky wants to trigger his amnesiac grandfather Kanwal’s (Dharmendra) memories by reconnecting him with a woman from his past, Jamini Chatterjee (Shabana Azmi), who is also Rani’s (Alia Bhatt) thakuma (grandmother). For this, he meets the intellectual and cultured Rani, and despite their personalities being dramatically different, love blossoms over song, dance and hilarious one-liners. The movie is also about clashing cultures and personalities and depicts how judgmental and dismissive people can be of each other. But the narrative tactfully employs humour to do so without going overly sappy or preachy. There is ample drama and tears—all KJo style—which is balanced well with lighthearted moments.
An out-and-out musical fare, one of its highlights being the medley of Bollywood classics woven beautifully through an old-world rendezvous and Rocky-Rani’s new-age romance. The film is also peppered with self-references—matriarch Jaya Bachchan emphatically says, ‘Bas, keh diya!’ a la Amitabh Bachchan in Kabhi Khushi Kabhie Gham, ‘Rahul, naam toh suna hi hoga,’ and ‘It’s all about loving your family,’ which will delight fans of KJo movies. But these are cleverly done and don’t seem force-fitted in any instance.
Ranveer Singh is perfectly cast as a loud but loving and sensitive Punjabi guy who is myopic about gender equality because of familial and social conditioning. He has the funniest one-liners in the film, which he delivers with great ease, and he handles the impressive character arc with finesse. Alia Bhatt shines as a fiery and self-assured girl and impresses in emotional scenes. But a better command of the Bengali accent would have helped. From being a docile wife in K3G to a shrewd and dominating matriarch in this outing, Jaya Bachchan displays her prowess. Whether unabashedly humiliating Rani’s father Chandan (Tota Roy Chowdhury) publicly or being insecure about Jamini, the veteran actress pulls off a multi-dimensional character with panache. Shabana Azmi gets the act perfectly and is consistent with her twang when shifting between Bengali and Hindi. Dharmendra is delightful and stands out in a short but impactful role. Aamir Bashir, as Tijori, Rocky’s misogynistic father overpowered by his mother, also delivers a powerful performance. Namit Das as Rani’s colleague Soumen is entertaining and stands his might.
While Pritam’s music is striking, with bangers such as What Jhumka? and Dhindhora Baja Re, and the romantic Tum Kya Mile, all the songs are lavishly and beautifully shot. Dola Re Dola redux throws in a surprise and is sure to get a lot of claps from viewers.
Manush Nandan shows his prowess as the director of photography, and visually, the film is all glam and shiny in every scene, though one wonders why a television news anchor turns up dressed the way Rani does. The story takes a while to set up, and the first half is a bit slow, but it picks up pace and gets super-entertaining in the second half. The way family matters resolve is predictable and simplistic. Yet, it subtly depicts the winds of change when Rocky’s parents ask for Rani’s hand in marriage, saying they want their son to be the Chatterjees’ damad instead of asking their daughter to be their bahu. At heart, Rocky Aur Rani Kii Prem Kahaani is a full-on entertaining and sweet love story, with flashy and feisty characters given to us in a well-wrapped shiny package.

'Rocky Aur Rani Kii Prem Kahaani' is the perfect antidote to the troll culture that has seeped into the crevices of the film industry. Karan Johar returns to the big screen as a director with his favourite muse - Alia Bhatt, who often becomes instant fodder for naysayers to pinpoint and make toxic comments about. Social media might have labelled her as the poster girl for nepotism and him, the Kingpin of the movie mafia, who can make or break careers. But, what has stood the test of time and is unbreakable is their love and passion for the craft of movie-making. So, when Karan Johar returns to direction after a hiatus of seven years, there is a lot that has changed. His lead pair, Alia Bhatt and Ranveer Singh, were last seen in a gritty rustic setting in the underbelly of Mumbai in 'Gully Boy'. No designer labels and chiffon sarees were adding to the glamour of their already radiant stardom. Is RARKPK a misfire or is it the revival of the 70mm larger-than-life blockbuster cinema experience that we have long forgotten? Let’s find out!
Rocky Randhawa (Ranveer Singh) is the flamboyant OTT (over- the-top) boisterous boy from Delhi who stands for everything that the actor playing this character has made an image of. Ranveer’s public image and persona, much like Rocky, is a reflection of the loud, camp, boom-box-clutching boy whose cleavage gives the fairer sex a run for their money. When Rocky meets an unlikely match in Rani (Alia Bhatt), who is the polar opposite of him, sparks fly. It doesn’t take too long for these sparks to ignite embers from the past.

Rocky’s amnesia-ridden grandpa Kanwal (Dharmendra) and Rani’s grandmom Jamini (Shabana Azmi) have a history. In this amalgamation of two states where North (Delhi) meets East (Kolkata), a lot of cultural differences and hilarious awkward exchanges fill in much for a fast-paced and sharp first half. Jaya Bachchan plays the vamp (Rocky’s granny), who becomes a hurdle for Rocky and Rani to manifest their true love. She stands for everything that is traditionally righteous for women in the family to do. Her values are regressive and she has a temper that could roast any YouTuber who thinks he’s the Ricky Gervais of his universe.


Karan Johar’s films have become part of a legacy and spawned a genre that has often been imitated but rarely duplicated. So, when the OG comes to play, you can tell that he’s come loaded with some serious ammo. His sense of humour, sarcasm, wit, dark humour and rebuttals are all in place. The playoff between the cultured Chatterjee family and the loud Randhawas sets the tone for some of the most hilarious scenes.
Performances are delicious and that has a lot to do with the fact that the right actors have been cast for these parts. Right from Tota Roy Chowdhury, who plays Rani’s dad, to Aamir Bashir as Rocky’s father, the casting is on the money. Jaya Bachchan as the vampish dadi is a master stroke. At a time when the veteran actress spurs a meme fest each time she steps out in public, her character and expressions as the CEO of the Randhawa ladoo factory are just brilliant. The star of the show is Ranveer Singh, whose Rocky will remind you of the likeable and playful Bittoo Sharma from his debut film, 'Band Baaja Baarat'. He fits the part like hand in glove and feels like he’s actually playing himself. His comic timing and the sensitive vulnerability he brings in the scenes with Alia are just brilliant. Alia, as Rani, can breathe and do ample justice as the charming Bong girl with a mind of her own.
While the first half is light and fun, the second half has multiple messages and commentary on topics like cancel culture, body shaming, defining toxic masculinity and racism. The ‘Dola re Dola’ performance is a definitive moment for the LGBT community and KJo has weaved it into the narrative so beautifully that you have to give him an applause for the sheer genius that it is. There is a huge nostalgic value and sentiment attached to Shabana and Dharamji’s song sequence that is borrowed from hits of the late 70s and 80s.

'Rocky Aur Rani Kii Prem Kahaani' also has a lot of references to KJo’s own films. The cameos in the title track by Gen-Z stars Sara Ali Khan, Ananya Panday and Janhvi Kapoor and some dialogues that are an ode to Karan’s previous work are superb ideas to keep you entertained.

The second half does slow down towards the end and KJo feels a bit caught up in the trope of having too much on his platter. Nevertheless, 'Rocky Aur Rani Kii Prem Kahaani' is a family entertainer that is a gentle reminder of Karan’s legacy and his love for blockbuster cinema. Go watch it at a theatre near you. Or in Jaya ji’s words - bas keh diya so keh diya!

Boy meets girl. Sparks fly. Families oppose. Minds change. Lovers reunite. Happy ending. This has been the formula for quintessential Bollywood love stories across generations. The last few years might have witnessed a dry spell as far as spectacular and gossamer love sagas infused with generous doses of family drama are concerned. But filmmaker Karan Johar has finally come to our rescue. And thank god for that. Rocky Aur Rani Kii Prem Kahaani brings about a halt to the tsunami of cop thrillers and whodunits that brought with them a wave of monotony. It takes you back to the good old times and fills your heart up with joy. But it’s so much more than the regular template of love stories.

Those who grew up on a staple diet of Bollywood films of the 1990s and the 2000s will most definitely and fondly remember how Karan went on to not just redefine contemporary mainstream cinema but also their adolescent notions of love. Kuch Kuch Hota Hai and Kabhi Khushi Kabhie Gham rode high on romance and familial ties. Over the next few years, Karan took a stern departure from his forte and successfully dabbled in more serious issues like extramarital affairs and religious discrimination and explored themes of college romance and one-sided love. But his ardent fans missed the original KJo quotient. And so, what makes Rocky Aur Rani Kii Prem Kahaani stand out is the fact that it makes for an interesting amalgamation of almost all of his previous films.

Rocky Aur Rani Kii Prem Kahaani reiterates that opposites attract and that it’s all about loving your families at the end of the day. It states that not all extramarital affairs are sinful and has immorality written all over them. It reinforces that true love wins over everything else. And through the film, Karan also makes or at least tries to make a statement on cancel culture, a pop era phenomenon that shakes him every now and then. Rocky Aur Rani Kii Prem Kahaani further keeps up with the changing times and touches upon the social media war of unpretentiousness versus wokeness. But how much of that works is the question.

The film revolves around Rocky Randhawa, a loud, brash, protein shake obsessed and anything-but-woke Punjabi boy who resides in the palatial Randhawa Paradise in Delhi’s Karol Bagh. His family runs Dhanlakshmi Sweets and he is all set to be the next CEO of this million dollar company. His family comprises of a misogynistic, bitter and stern grandmother and father and a suppressed mother and sister along with a shayaari loving and wheel-chair bound grandfather. One day, his grandfather falls sick at an event called ‘Punjabi Of The Year’ and starts asking for Jamini.

Soon Rocky finds out that Jamini is the grandmother of a woke and beauty-with-brains journalist, Rani Chatterjee, who leaves no stone unturned to school misogynists and sexists. The Chatterjees, on the other hand, are starkly dissimilar to the Randhawas. Rani’s Shashi Tharoor-esque mother is the senior most English professor at Delhi University and her father is a Kathak dancer. Rocky and Rani decide to play Cupids to their grandparents who had first met at a kavi sammelan in 1978 in Shimla. But as luck would have it, Rocky and Rani can’t help but fall in love with one another. Their families holding opposite ideologies, cultures and backgrounds, however, become a hindrance in their fairy-tale romance. What follows next is switching families and oodles of melodrama.

The first half of Rocky Aur Rani Kii Prem Kahaani is everything that a feel-good Bollywood entertainer should be made up of. It rides high on nok jhok, forbidden love, comedy, new-age confusion, vintage charm, gorgeous song and dance sequences including a rain sequence. In short, it’s delightful and packed with blissful surprises! Ishita Moitra hits it out of the park with almost every dialogue. Ranveer Singh’s Rocky’s dodgy English speaking skills wherein he refers to ‘consensual’ as ‘consexual’ among other things will crack you up. In one scene, he’s heard saying, ‘If Rani ki uthaani hai doli, the set has to be Rajamouli.’ Needless to say, you end up lauding every now and then. And before you know it, your expectations are set too high and it’s time for the interval.

But in the second half, the breezy and pacey screenplay abruptly drops pace. Comedy and romance take a backseat and the writers decide to pump up the drama only to make you confused if you’re watching one of Ekta Kapoor’s high-octane television soaps. Karan and his team of writers pack in too many themes. Yes, the screenplay has its heart in the right place but things turn too preachy.

When Rani starts living with Rocky’s orthodox family and Rocky with Rani’s modern and educated family, they’re headed for numerous bumps. Unfortunately, the audience suffers due to these bumps and the ham-fisted treatment of the narrative too. Rani almost becomes like an angel-cum-public service announcer as she starts dishing out pearls of wisdom pertaining to patriarchy, gender inequality and suppression of women and their desires. While we understand that entertainment is a tool to draw our focus to issues that need attention, the makers make all of this look too contrived. And this is why the second half loses the spark of the first half and appears too dragged.

Despite these flaws, Rocky Aur Rani Kii Prem Kahaani is packed with some lovely and memorable moments. Dharmendra and Shabana Azmi meeting each other after years and romancing through their sparkling, eloquent eyes with Abhi Na Jao Chhod Kar playing in the backdrop is a treat to the sore eyes. The background score, including the instrumental piece of Ami Chini Go Chini Tomare, grabs attention. The Bengali and Punjabi stereotypes surprisingly also land.

The performances by the cast deserve heaps of praise. The highlight of the film is Ranveer. Most of the funny one-liners belong to him. He makes you roll with laughter with his impeccable comic timing and shallow Punjabi-ness. It seems like a return to his Bittoo Sharma avatar and it is a sheer delight to see him back to this zone. He impresses you with his moist eyes and broken heart in the intense scenes. He’s truly the beating heart of Rocky Aur Rani Kii Prem Kahaani. Do watch out for him singing Ekla Cholo Re and his jugalbandi with Tota Roy Chowdhury on Dola Re Dola!

Alia Bhatt plays Rani with a lot of grace and charisma. In a scene, she says, ‘Chinta koro na, aami khub mishti.’ But her character loses the sheen in the second half solely because of the writing. In a bid to appear avant-garde and modern, she ends up being reduced to a rant queen. But she deserves credit for lighting up the screen with her presence. She looks drop dead gorgeous in her colourful chiffon sarees and speaks Bengali rather fluently. The promos were misleading and what we learn from the film is that Alia and Ranveer share a crackling chemistry.

Jaya Bachchan as Dhanlakshmi steps into the shoes of Yashvardhan Raichand from Kabhi Khushi Kabhie Gham and even utters ‘keh diya na bas keh diya’ in a scene. She’s a stickler to patriarchal norms and is grumpy throughout the film. There are moments when you end up hating her. Funnily, Dhanlakshmi seems like an extension of Jaya herself in all the paparazzi videos we can’t get over.
Shabana as Jamini is stunning. Her scenes with Dharmendra’s Kanwal are pure gold. Truth be told, the veteran duo does steal the thunder from Rocky and Rani and their love story many a times. We only wish Jamini didn’t have all her lines starting with Bengali and then transitioning to Hindi. It’s bizarre because Bengalis don’t speak like that. Churni Ganguly, Tota, Aamir Bashir and Kshitee Jog are all equally impressive. Their tracks are written with a lot of sensitivity and the makers make sure that their talent doesn’t go waste. Your heart goes out to all of them.

All in all, Rocky Aur Rani Kii Prem Kahaani is a joyful and nostalgic ride. It might not be Karan’s best work but it comes across as a gush of fresh wind. The filmmaker, once again, proves that there’s no one quite like him and when it comes to family sagas, he’s the undisputed king. It’s time to start a petition for the official coinage of ‘the Karan Johar genre of cinema’.

Rocky Aur Rani Kii Prem Kahaani | Official Trailer | Amazon Prime

A graduate from Indiana University, Bloomington, Ranveer Singh made his debut with the 2010 hit Band Baaja Baaraat, winning the Filmfare award for Best Male Debut. Packed with an energetic persona, Ranveer is one of the most popular young actors in India who is also known for his edgy dressing sense. Starting his career as a copywriter, Ranveer is now a big face in Bollywood. His movies include Bajirao Mastani (2015), Padmaavat (2018), Lootera (2013), Goliyon Ki Rasleela Ramleela (2015) & Dil Dhadakne Do (2015).

Ranveer Singh

Daughter of veteran filmmaker Mahesh Bhatt, Alia Bhatt is a well-known Bollywood actor & singer. She debuted as a child artist in 1999 with Tanuja Chandra's Sangharsh. The recipient of several accolades, including two Filmfare awards, Alia began her acting career in 2012 with Student Of The Year directed by Karan Johar. In a very short span of time, Alia has gained huge popularity. She has appeared in movies like Highway, Kapoor & Sons, 2 States, Humpty Sharma Ki Dulhania, Udta Punjab and Dear Zindagi. Alia turned singer with Imtiaz Ali’s movie Highway. Alia is also the founder of the ecological initiative CoExist.

Alia Bhatt

Dharmendra is a celebrated actor known for his work in Bollywood. Considered as one of the greatest stars of Hindi cinema, he grew from being a romantic hero to an action hero during the 1970s. In 2012, he was honoured India's third highest civilian honour Padma Bhushan by the Government of India. He has won several prestigious awards including the Filmfare and National Film Awards for his contribution to Indian cinema. Some of his best known movies include Bandini, Sholay, Phool Aur Patthar, Baazi, Aadmi Aur Insaan, Blackmail and Naseeb.

Dharmendra

Jaya Bachchan is an award-winning Bollywood film actress and politician, known as one of the finest actresses of her time. Her most notable movie performances were seen in Piya Ka Ghar (1972), Uphaar (1971), Koshish (1971), Kora Kagaz (1974), Sholay (1975), and Zanjeer (1973), to name a few. She has also appeared in commercially successful films like Fiza (2000), Kabhi Khushi Kabhie Gham (2001), and Kal Ho Naa Ho (2003). In 2016, the actress made a cameo appearance in the Kareena-Arjun starrer Ki & Ka. Her 2017 reelases includes Alif and The Great Leader.

Jaya Bachchan

Shabana Azmi

Rocky Aur Rani Kii Prem Kahaani (2023)

Rocky Aur Rani Kii Prem Kahaani (2023)(2023)

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