Name: Sunny Sanskari Ki Tulsi Kumari
Genre: Comedy, Romance
Released: 2025-10-02
Rating: 6.6
Cast: Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, Rohit Saraf, Akshay Oberoi

Vele

Book tickets for the latest movies now showing in {city} theatres — Bollywood blockbusters, Hollywood releases, and regional hits. Get real-time showtimes, instant seat selection, and the best deals at PVR, INOX, Cinepolis &amp; more on District. {movie}

dds-bg-transparent dds-bg-none dds-border-0 dds-border-solid dds-border-transparent dds-border-0

Deool Band 2

Drishyam 3 (2026)

Star Wars: The Mandalorian and Grogu

September 21

Shubh Mangal Dhamal

Dose

Ugly Story

Top Cop

Chand Mera Dil

Dark Giant

Vadhala

Ramani Kalyanam

Kattalan

Lakshmikanthan Kolai Vazhakku

Blast

Obsession

Return Of The Jungle

Masood Khan Part-1: The Rage

Drop Out

Tuner

Plan ahead for the most awaited Bollywood, Hollywood, and regional releases in {city}. Browse upcoming movies, watch trailers, check release dates, and book your seats the moment advance booking opens on District. {movie}

Action

Adventure

Comedy

Drama

Horror

Science Fiction

Fantasy

Romance

Thriller

Animation

Discover movies in {city} by your favourite genre — action, comedy, romance, thriller, horror, drama, sci-fi, and family films. Browse genre-wise listings of Bollywood, Hollywood, and regional releases, and book the perfect movie night on District. {movie}

Prefer watching movies in your language? Find the latest Hindi, English, Marathi, Tamil, Telugu, Bengali, Kannada, Malayalam, and Punjabi films playing in {city} theatres right now. Check showtimes and book tickets instantly on District. {movie}

Find the best cinemas across {city} — from premium experiences like IMAX, ONYX, Insignia, 4DX, and Dolby Atmos to neighbourhood multiplexes and single screens. Pick your favourite theatre and book movie tickets in seconds on District. {cinemas}

Set against the backdrop of Delhi, the film is based on a humorously convoluted premise of two ex lovers trying to win their love back. Amidst an extravagantly dramatic tale of innocent deception and comical misunderstandings - an accidental love story blossoms. Who would get their happy ending in the middle of the hilarious chaos?

Sunny Sanskari Ki Tulsi Kumari

Bollywood Hungama

Times of India

India Today

News18

Taran Adarsh

Pinkvilla

Firstpost

Shahshank Khaitan's story is fine and doesn’t have many plot points. Shahshank Khaitan's screenplay is fairly entertaining. He has peppered the film not just with fun moments but also with some serious and emotional sequences that keep the interest going. But at the same time, the writing leaves a lot to be desired. Shahshank Khaitan and Ishita Moitra's dialogues are one of the USPs, enhancing the laughter quotient.

Shahshank Khaitan's direction is light-hearted and mainstream. Despite the theme, he has ensured that the film looks as massy as possible. Moreover, the jokes thankfully land as intended and would be appreciated by the audience. The manner in which Sunny develops feelings for Tulsi and the manner in which Ananya and Vikram are confused about what they want makes for a superb watch. The finale is a bit unexpected and works well.

On the flipside, the makers showed too much of the story in the trailer. As a result, one anticipates what will happen next, at least in the first half. Secondly, the film stagnates in the beginning of the second half; the plot just doesn’t move ahead. Shashank and his team lost a golden opportunity with the jungle safari scene. One expects loads of entertainment at this point. Alas, the scene has no meat. The family angle and the track of Param (Akshay Oberoi) and Rakhi (Manini Chadda) seems forced and doesn’t smoothly flow into the narrative the way it did in a similar Dharma film in this space, namely ROCKY AUR RANI KII PREM KAHAANI [2023].
Varun Dhawan gets back into the MAIN TERA HERO [2014] and DULHANIA space and thoroughly entertains. He dominates several scenes in the first half. Janhvi Kapoor looks ravishing and gets her act right. She is especially fine in the emotional scenes. Rohit Saraf looks dashing and as expected, delivers a sincere performance. Sanya Malhotra looks like a million bucks and makes her presence felt with panache. Maniesh Paul (Kuku) is too funny, while Abhinav Sharma lends able support. Akshay Oberoi is decent, but is let down by the writing. Manini Chadda, Nazneen Madan (Ananya's mother), Kavita Pais (Sunny's mother), Rohitashv Gour (Sunny's father), Dharna Durga (Dharna; Tulsi's friend in school) and others do well. Prajakta Koli (Dimple) is lovely in a cameo.
Songs are peppy. 'Ishq Manzoor' is foot tapping and 'Bijuria' is better. But the impact of the latter is limited as it comes after the former and is, more or less, in the same space. 'Panwadi' is the best of the lot. 'Tumse Behtar' and 'Tu Hai Meri' are fair while 'Perfect' appears in the end credits. John Stewart Eduri's background score has a massy feel.

Manishnandan's cinematography is cinematic. Manish Malhotra, Kunal Rawal, Varsha Chandanani and Shilpa Makhija's costumes are very glamorous, while Kshamta Gutav and Swapnil Suraikar's production design is top-class. Manann Sagar and Charu Shree Roy's editing is slick.
On the whole, SUNNY SANSKARI KI TULSI KUMARI is a fun-filled entertainer aimed at the youth and families. The film has every chance to draw crowds, even as it battles the mighty KANTARA: A LEGEND – CHAPTER 1. Word of mouth and the extended festive weekend will be key in determining how brightly this film shines at the box office.


Writer-director Shashank Khaitan’s rom-com opens with Sunny gearing up to propose to Ananya after her return from a trip to Italy. However, his world comes crashing down (along with the towering statues of Baahubali and Devasena as he recreates the iconic movie’s setting to propose) when Ananya tells him that they were never really in a relationship but only in a “situationship.”
Heartbroken but determined to win her back, Sunny finds unlikely company in Tulsi, Vikram’s ex-girlfriend, when his best friend Bantu (Abhinav Sharma) introduces them. Together, the trio heads to Udaipur with one mission in mind — to stop Ananya and Vikram’s wedding.
The film leans on familiar tropes, such as the middle-class boy and girl transforming into chic, stylish avatars, and the classic attempt to make their former lovers jealous to win back lost love. Yet, Khaitan keeps the ride engaging with a breezy narrative, peppered with witty pop culture and self-references, including Karan Johar’s irreverent guest appearance.
Depicting a wealthy couple’s wedding naturally brings together all the elements expected of a film in this genre — a lavish palace venue, glamour, vibrant soirees, and plenty of music and dance. The soundtrack features high-energy numbers, such as Tanishk Bagchi’s Panwadi and the redux of Sonu Nigam’s Bijuria, alongside Sachet–Parampara’s romantic track Tu Hai Meri. The songs are catchy and well-mounted, but their frequent placement tends to disrupt the film’s rhythm.
The first half breezes by with hilarious moments, largely thanks to Sunny and Tulsi’s antics and the witty banter between Sunny’s buddy Bantu (Abhinav Sharma) and the goofy wedding planner, Kuku (Maniesh Paul). However, while there are still comic sequences that land well, the overall pacing dips after the interval. The editing by Manan Sagar and Charu Shree Roy feels uneven in parts, particularly during the jungle safari sequence and a few flashback scenes. Similarly, the portrayal of Vikram’s snobbish family and the cracks beneath their seemingly perfect façade come across as a little forced and underdeveloped.
There are few actors in the industry who can pull off comedy as effortlessly as Varun Dhawan, who is perfectly cast as Sunny here. His comic timing is impeccable, and he oozes charm even in silly scenes like recreating Shah Rukh Khan’s ‘sattar minute’ speech from Chak De! India or imitating Salman Khan. Janhvi Kapoor is impressive as the plain Jane with a spunky side that even she seems unaware of, pulling off both emotional and funny moments with ease. Sanya Malhotra is striking in every frame, while Rohit Saraf is convincing as the rich boy caught under his domineering mother and brother Param’s (Akshay Oberoi) control. One of the highlights is a scene where the quartet, intoxicated after a function, inch towards the haveli on all fours like sloths.
At its core, Sunny Sanskari Ki Tulsi Kumari delivers what it promises: a glitzy, colourful rom-com packed with humour, charm, and entertaining performances.

In 2014, when Shashank Khaitan teamed up with Varun Dhawan for 'Humpty Sharma Ki Dulhania', the actor–director duo sprung a pleasant surprise with their modern take on a DDLJ-styled romance. Now, more than a decade later, they reunite in a film with an oddly put-together ensemble and a title that’s quite a mouthful – 'Sunny Sanskari Ki Tulsi Kumari'. Starring Varun Dhawan as Sunny and Janhvi Kapoor as Tulsi, the film also features Sanya Malhotra and Rohit Saraf in near-parallel lead roles.
The Dharma template of sequined, low-neck kurtas, big-fat sets, and extravagantly shot songs is back in full force. And this time, the stakes are high for Varun and Shashank, whose pairing has so far worked well at the ticket window. Plot-wise, however, the film doesn’t offer anything new. The story of two exes crashing each other’s weddings feels like an idea that’s been toyed with in several Hollywood rom-coms.
Still, despite its lack of originality, the film finds clever ways to create comic moments that feel very 2025-coded. In the era of every possible ‘ship’—from relation to situation—the writers weave in enough humour to keep things entertaining. A partly smart move is the inclusion of social media stars like Dharna and Prajakta Koli, who play to their own respective fandoms.
'Sunny Sanskari Ki Tulsi Kumari's strength lies in its writing, peppered with dialogues that wink at iconic Bollywood moments—from SRK’s 'Chak De' monologue to a cheeky reference to 'Mr. India’s' 'Kaante Nahin Katte'. The first half builds solidly and promises an equally strong payoff. Unfortunately, the film falters in its final act, with a rushed and illogical climax that undermines the buildup.

There is also an oddly forced scene in the ladies' restroom where Sanya and Janhvi's characters engage in a cleavage showdown while sucking in their stomach and tryingt to outdo each other. Awkward and unnecessary, the scene is meant to evoke laughter but just felt grossly a misfit.

Shashank Khaitan’s USP has always been witty dialogues, light humour, and true-blue romance. With 'Sunny Sanskari...', he revisits his comfort zone while attempting to experiment. At times, he soars; at others, he stumbles. The result is a film that entertains, charms, and frustrates—sometimes all at once.

Walking into the theatre for Sunny Sanskari Ki Tulsi Kumari feels like stepping into a familiar ballroom where the chandeliers have just been polished and the band is tuning its instruments. You already know the waltz, after all, Shashank Khaitan choreographed this dance once before, almost a decade ago, with Humpty Sharma Ki Dulhania and Badrinath Ki Dulhania. Those films stitched a new grammar of the modern romcom for millennials, embroidered with chart-topping music, effervescent casts, and scripts that glittered with wit and simplicity. They spoke to an audience in flux, people growing out of the dreamy optimism of the 2000s and stepping into the practical chaos of urban India. And here we are again, years later, watching Khaitan attempt to hand down the same heirloom charm to a Gen-Z audience. The good news? The sparkle hasn’t dulled.

The film is at once hilariously boisterous, romantically tender, and quietly observant of the cultural tides of its time. Nostalgia hangs in the air like the scent of old jasmine, yet the rhythm is contemporary enough to keep you tapping your foot. One feels the old grammar of Bollywood romance being gently remixed for an era that scrolls on reels, swipes for validation, and uses vocabulary like “situationships" to define emotions once considered sacred.
The story begins with a grand, almost absurd tableau: Varun Dhawan’s Sunny Sanskari, clad in a Baahubali costume, preparing to propose to his beloved Ananya (Sanya Malhotra) in a spectacle of filmi devotion. The image is instantly comic and revealing, love here is performance, love is exaggeration, love is still very much a stage. But as in every great romcom, the balloon of joy bursts in the very next beat. Ananya admits her parents have already chosen Vikram (Rohit Saraf) for her, and worse, she dismisses Sunny as nothing more than a situationship. The word stings not only Sunny but the audience too, a reminder of how modern relationships are often whittled down to ambiguous, fragile labels.

In that rejection lies the first crack of heartbreak, but Khaitan is clever enough not to sink into melodrama. Instead, he pivots towards comedy, and introduces Janhvi Kapoor’s Tulsi Kumari, Vikram’s abandoned sweetheart. A simple schoolteacher with heartbreak stitched into her every gesture, Tulsi is the counterpoint to Sunny’s flamboyance. Unlike Sunny, who hides his pain with bravado and humour, Tulsi wears her emotions openly. She sobs, she vents, she remembers, and she allows her heartbreak to spill into the world around her. Where he is dramatic in a performative, comic way, she is dramatic in her rawness, unafraid to show her grief or her anger. Their chemistry is born not out of silence but out of shared vulnerability, the chaos of two broken hearts colliding in loud, messy honesty.
When Sunny learns of Tulsi’s sorrow, he enlists her in a harebrained scheme: pretend to be lovers, crash the grand destination wedding of Vikram and Ananya, and perhaps reclaim what was lost. What follows is a carnival of antics, sabotage disguised as sincerity, Bollywood reels uploaded in real-time, and dance numbers so audacious they might have stepped straight out of a Dharma fever dream. There are choreographed sequences that wink at the audience’s collective memory of Bollywood weddings, and there are also intimate moments where the camera lingers on a stolen glance or a suppressed smile. But, of course, the central question lingers: in trying to win back their pasts, might Sunny and Tulsi stumble into a future together?

Khaitan stages this spectacle with his trademark gusto. The sets drip with opulence, think chandeliers the size of egos, palatial lawns where heartbreak looks prettier, and banquet halls where emotions are exaggerated by décor. The dance numbers pound with infectious energy, and even the cameos (yes, Karan Johar and Prajakta Koli pop up) feel like playful winks at the audience. The film embraces every cliché of a Dharma romcom, slow-motion entries, over-the-top sequences, wedding glitz, and somehow bends them into satire and celebration at once. It is as if Khaitan knows the tropes by heart, and instead of discarding them, he chooses to exaggerate them until they become both commentary and entertainment.
The dialogues are another beating heart. They crackle with humour precisely because the characters wear them like second skin. Sunny’s atrocious, yet oddly endearing poems are accompanied by his self-aware defense, “Meri kavita Rahman ke gaane ki tarah hai, dheere dheere hit karti hai." These lines work not because they’re clever, but because they are delivered with absolute conviction. The pacing holds strong through the first half, which whirls with energy and inventiveness, only to wobble in the second, which occasionally stumbles under the weight of its own excess. Subplots feel rushed, certain emotional arcs are hurriedly tied, and yet, the film never fully loses its heartbeat. Still, the laughter and warmth carry it forward.

Music, often the lifeblood of a romcom, does not disappoint. Yes, it treads familiar ground, but the thumping beats of Panwadi and Bijuria, alongside the aching sweetness of Ishq Manzoor and Tumse Behtar, ensure your ears are as entertained as your eyes. The album is both frothy and soulful, as though designed to first fill the dance floors and later sneak into playlists of heartbreak. Formulaic, perhaps, but undeniably effective.
As for performances, the ensemble thrives. Varun Dhawan is in his sweet spot, his flair for comedy meets an emotional undercurrent that makes Sunny Sanskari both ridiculous and relatable. He bounces between comic exaggeration and quiet longing with ease, reminding us why he continues to be Bollywood’s most bankable romcom star. Janhvi Kapoor glimmers as Tulsi Kumari, capturing both innocence and melancholy with disarming ease. There is something refreshingly unrestrained in her performance, she does not bottle her emotions but lets them flow freely, and yet she remains luminous in every frame.

Sanya Malhotra, however, emerges as one of the film’s most intriguing presences. Ananya could have easily been reduced to a shallow plot device, the woman who leaves one man for another, but Sanya lends her role a depth that complicates the equation. She oscillates between glamour and confusion, between desire and duty, embodying a woman torn not by melodrama but by the quiet weight of choices that feel both right and wrong at the same time. There is a charm to her vulnerability, a flicker in her eyes that suggests she knows more than she says, and a fragility in her pauses that makes her indecision utterly human. Long known for her nuanced, realistic performances in serious films, Sanya here finally revels in a more commercial, glamorous role, and she does so without losing her craft. Her chemistry with both Rohit Saraf and Varun Dhawan anchors some of the most emotionally messy yet compelling moments in the film, making Ananya a character you may not always agree with, but one you cannot ignore.

Rohit Saraf brings tenderness to Vikram, a man caught between privilege and powerlessness. Saraf’s boyish sincerity makes his character more than just a rival, he is a gentle reminder that love stories are rarely about villains, but about timing. Maniesh Paul steals scenes as the eccentric wedding planner, injecting the narrative with much-needed zaniness, while the supporting cast, from Abhinav Sharma’s loyal sidekick, Akshay Oberoi’s brooding antagonist, Rohitashv Gour’s lovable patriarch, stitch the chaos together with verve.

The film does flirt with social commentary, though it treats these moments like passing guests at a wedding, acknowledged, but not fully embraced. There are faint nods to generational shifts in relationships, parental control, and the commodification of weddings, but these are left as subtle seasoning rather than the main dish. Khaitan does not aim to preach, only to entertain, and in that choice lies both the film’s strength and its limitation.

In the end, Sunny Sanskari Ki Tulsi Kumari isn’t just a romcom. It is a vibrant echo of a cinematic tradition, one that knows its tropes, pokes fun at them, and still manages to make your heart leap in sync with its music. It is imperfect, a little unruly, occasionally rushed, but also joyous, sincere, and unexpectedly profound. It reminds us that romcoms, like old songs, never truly go out of style. They are recycled, remixed, repackaged, but at their core, they still hold the power to make us believe in love, even if just for two hours in a darkened theatre.

The film leaves you with laughter in your chest, warmth in your heart, and the faint aftertaste of nostalgia. It is cinema that does not shy away from its filminess, and perhaps that is its greatest gift, an unabashed celebration of love, heartbreak, and the chaos in between.


A colourful, vibrant entertainer that thrives on drama, emotions, and humour… A family film that delivers laughs and entertainment in the right doses. #SSKTKReview

#SunnySanskariKiTulsiKumari is crafted for the masses as well as families… It delivers exactly what it promises – fun, emotions, and entertainment in ample measure.

The film works largely due to its crowd-pleasing screenplay, which unfolds at a brisk pace… The humour clicks without going overboard, while the emotional beats in the second half strike the right chord.

On the flip side, the post-interval portions dip slightly and the proceedings tend to get predictable at places.

What boosts the proceedings is director #ShashankKhaitan's treatment… Glossy visuals, relatable humour, witty dialogues, and breezy pacing ensure you're glued to the screen... The pre-climax and the penultimate moments elevate the film to an all-time high.

One of the highpoints of the film is its soundtrack... Chartbusters like #Bijuria and #Panwadi are already ruling playlists and elevate the narrative beautifully... The choreography of #Panwadi, in particular, is superb.

#VarunDhawan is spot-on – his comic timing, infectious energy, and mass-appealing persona bring the house down… But it's the emotional moments that spring a wonderful surprise – and they work beautifully.

#JanhviKapoor complements him wonderfully well – she has a radiant screen presence and delivers a sincere performance.

#RohitSaraf is excellent, shining in several important moments… #SanyaMalhotra is a complete natural; her performance is pitch-perfect.

#ManieshPaul is truly funny, while #AkshayOberoi does well.

⭐️ Final word? #SunnySanskariKiTulsiKumari works due to its energy, humour, and emotions – a family and youth-friendly entertainer that delivers.

I am a sucker for romance, and Sunny Sanskari Ki Tulsi Kumari satiated my romantic soul! There isn’t a single dull moment; the film keeps you engaged and tickles your funny bone with every dialogue. The color palette of the film is vibrant, which is refreshing to the human eye. Shashank’s attention to detail deserves a special mention; every single shot has been well thought out and is in sync with the story. The film’s soul lies in its witty punches penned by Shashank and Ishita Moitra, which translate effortlessly on screen through the cast.
Comedy is serious business, and Varun Dhawan is a master of it. Janhvi Kapoor is surprisingly good with her comic timing. Varun and Janhvi’s off-screen banter translates beautifully into their on-screen chemistry; they complement each other well.

Sanya Malhotra, as always, is a natural. Her dance moves and emotional scenes pierce your heart. And Rohit Saraf, you beauty! You were born for the big screen. He owns every frame, from dance to dialogue delivery, comic timing to the art of emoting with his eyes, he is outstanding and possesses all the qualities of a big-screen hero.

Maniesh Paul as Kuku is hilarious, while Abhinav Sharma plays Bantu effervescently. Akshay Oberoi, Rohitashv Gour, and Dharna Durga shine in their limited screen time.
If you enjoy romantic comedies and are craving a hearty laugh, Sunny Sanskari Ki Tulsi Kumari checks all the boxes. It’ll make you believe in the most illogical, impractical things, but that’s what cinema is all about, right? It transports you to a world where everything seems believable, and suddenly, life is good.
If you’re wondering whether it’s a vanilla rom-com or if it offers some exciting flavors, Shashank Khaitan’s directorial answers that on October 2, 2025.

After Humpty Sharma Ki Dulhania & Badrinath Ki Dulhania, the filmmaker Shashank Khaitan reunited with Varun Dhawan for Sunny Sanskari Ki Tulsi Kumari, also featuring the ensemble cast of Janhvi Kapoor, Sanya Malhotra, Rohit Saraf, Maniesh Paul, Akshay Oberoi, and Abhinav Sharma, among others.

The promotional assets of the film have created curiosity among cinegoers, especially due to its catchy and peppy soundtrack. But will Sunny Sanskari Ki Tulsi Kumari impress the audience? Let’s find out…
The plot begins with Sunny (Varun Dhawan) in Baahubali’s avatar and his friend Bantu (Abhinav Sharma) as Katappa from the movie, gearing up for a special moment as the former is set to propose to his girlfriend, Ananya (Sanya Malhotra). However, she rejects his marriage proposal, saying that her parents have arranged her marriage with Vikram Singh (Rohit Saraf), who belongs to a royal and wealthy family.
Sunny Sanskari Ki Tulsi Kumari explores several societal and Gen Z dynamics, like marrying a person of your stature, a woman sacrificing her ambitions and situationship and blends them with humour, heart, and relevant storytelling.

Khaitan, like his previous films, smoothly combines the love story with comical punches and witty one-liners to take the entertainment quotient to another level. While the first half is breezy and filled with laughter moments, a couple of melodramatic sequences make the second half a bit draggy. However, the entertainment quotient remains high due to the palpable chemistry between the leads and smart writing.
Talking about the performances, Varun Dhawan carries his own charm with innocence and swag, while Janhvi shines in her nuanced portrayal. Rohit and Sanya also contribute amply with their relevant and layered characters. Maniesh Paul and Abhinav Sharma tickle you silly with their comic timing, while Oberoi does a decent job in his limited screentime.

On the whole, Sunny Sanskari Ki Tulsi Kumari is a fun entertainer filled with humour, heart and romance.

Sunny Sanskari Ki Tulsi Kumari - OFFICIAL TEASER | Varun, Janhvi, Sanya, Rohit | Shashank K | Oct 2

Sunny Sanskari Ki Tulsi Kumari - OFFICIAL TRAILER | Varun, Janhvi, Sanya, Rohit | Shashank K | Oct 2

Born on April 24, 1987 in Mumbai, Varun Dhawan is the son of veteran filmmaker David Dhawan. Before beginning his acting career, Varun worked as an assistant director for Shah Rukh Khan-Kajol starrer My Name Is Khan (2010). In 2012, he made his big screen debut with Karan Johar’s Student Of The Year. Varun is best known for movies like Humpty Sharma Ki Dulhania (2014), Main Tera Hero (2014), Badlapur (2015), ABCD 2 (2015), Dilwale (2015), Dishoom (2016), Judwaa 2 (2017), Badrinath Ki Dulhania (2017) and October (2018). Interestingly, Varun, a die-hard fan of WWE wrestler The Rock, Dwayne Johnson always wanted to be a wrestler.

Varun Dhawan

Janhvi Kapoor is the daughter of legendary actress Sridevi and famous producer Boney Kapoor. Her debut movie is Dhadak directed by Shashank Khaitan.

Janhvi Kapoor

Rohit Saraf

Sanya Malhotra is an actress who rose to fame with her performance in the sports drama film Dangal.

Sanya Malhotra

Akshay Oberoi is an actor who made his debut as a child in the 2002 comedy-drama American Chai. He went on to star in miniseries like The Test Case, Bar Code and It’s Not That Simple. After making special appearances in films like Pizza and Pihu, Oberoi got important roles in films like Kaalakaandi and Bombairiya.

Sunny Sanskari Ki Tulsi Kumari

Sunny Sanskari Ki Tulsi Kumari(2025)

Synopsis

Cast & Crew

Videos

Posters & wallpapers

Upcoming Movie Releases in Vele – New Films Coming Soon to Theatres

Movies in Vele by Genre – Action, Comedy, Romance, Thriller & More