Name: Toxic: A Fairy Tale for Grown-ups
Genre: Action, Thriller
Released: 2026-08-26
Duration: 3 h 14 min
Rating: 6
Cast: Yash, Nayanthara, Kiara Advani, Tara Sutaria, Huma Qureshi

தமிழ்

Tamil

తెలుగు

Telugu

12 AM To 8 AM

Early Morning

8 AM To 12 PM

Morning

12 PM To 4 PM

Afternoon

4 PM To 7 PM

Evening

7 PM To 12 AM

Night

5 PM To 12 AM

After 5 PM

₹ 0 - ₹ 100

₹ 100 - ₹ 200

Couple Seats

Wheelchair Friendly

Directed by Geetu Mohandas, this period action drama follows Raya's rise through a dangerous underworld where power comes at a devastating cost. Starring Yash alongside Kiara Advani, Nayanthara, Huma Qureshi and Tara Sutaria.

Toxic: A Fairy Tale for Grown-ups

Times of India

Toxic begins with an immersive first 15 minutes, establishing a grand, dark and unmistakably cinematic world. There are shades of KGF in its world-building, particularly in the way it presents its larger-than-life protagonist and his violent surroundings. But unlike KGF, the world here often feels incomplete and, at times, confusing.
The film has plenty of characters, most of them nameless, but few leave a lasting impression. Its production design, however, deserves a separate round of applause. The visual splendour is undeniable, and the cinematography, set design and action blocks are all big-screen material. Several sequences look terrific and showcase the ambition behind the project.
Yet Toxic often mistakes visual grandeur for storytelling depth. The film soon begins to feel like a series of Instagram reels stitched together: each segment looks like something and feels like something, but ultimately adds up to very little. Beneath the violence, sex, swagger and scale, the screenplay needed considerably more substance.
That lack of cohesion is most evident in the craft. The editing is extremely choppy, relying heavily on the rapid-cut style audiences have come to associate with KGF. The sheer number of cuts, often without a legible point of focus is disorienting. Blood and alcohol flow endlessly, but the screenplay struggles to keep pace with the visuals. The emotional portions do not always land as strongly as intended, making the dramatic highs feel less impactful. The screenplay is uneven, and a few loose ends are never satisfactorily tied up. Information is thrown at the audience in fragments, characters appear and disappear without enough context, relationships are introduced at dizzying speed, and action sequences frequently take precedence over establishing the stakes. The larger narrative is comprehensible, but getting there can be unnecessarily exhausting.
The action sequences reflect this imbalance. Some are brilliantly staged and make for terrific big-screen moments, while others feel excessive without leaving much of an impact. The violence is unapologetic, perhaps unlike anything seen before in a mainstream Kannada film. The first half constantly alternates between sex and violence, and at times combines the two, clearly designed to give the audience an adrenaline rush. But the effect starts wearing thin when the screenplay does not offer enough substance underneath the spectacle.
Director Geethu Mohandas keeps Yash firmly on the commercial pedal, and the speed only increases with every passing scene. Unfortunately, the women in Toxic are surprisingly underwritten. Most of the characters lack the depth required to make us emotionally invest in their journeys, and the emotional core does not always receive the attention it needs.
Yash, however, remains a rockstar. His aura is unmatched, and Toxic gives him two acting playgrounds as Raya and Ticket, to have a field day with. He is a treat to watch in both avatars, particularly as Ticket, where he breathes violence with every frame. The physical transformation is evident, and the amount of hard work he has put into the character shows. The physical transformation and digital de-ageing distinguish him from Raya, but it is Yash’s body language that truly creates the character. Ticket moves with an almost feral physicality, particularly during the action sequences, while his parkour-like movements give him an unusual, almost dreamlike quality. Yash goes all guns blazing and gives Toxic everything he has.
Kiara Advani is another highlight. She is the calm to Raya’s chaos, and that contradiction works well. Nayanthara’s character, however, has an arc that does not quite allow her to make the impact one would expect. Rukmini Vasanth, Tara Sutaria and Huma Qureshi perform their parts with ease, but none of the female characters run particularly deep or stand out. Perhaps Yash’s towering screen presence is one reason for this, but the bigger issue is the lack of character depth across the board.
The film’s soundscape adds to its commercial energy. Ravi Basrur’s music is loud and feels like an extension of the KGFsoundscape. At least in Kannada, some of the songs and lyrics do not quite sit well with the narrative. The dubbing in close-up shots can also feel slightly jarring. VFX too feels a bit slightly off in some scenes.
The final 20 minutes take the film in a completely different, almost arthouse direction. It is the kind of ending that could leave audiences either completely fascinated or thoroughly disappointed.
Ultimately, Toxic is undoubtedly impressive in terms of scale. Its cinematography, production design, action and overall visual presentation demand to be experienced on the big screen. There is no denying the ambition behind the project. But ambition alone cannot hold a film together.
Toxic has style and violence in abundance, but substance in short supply. The screenplay is uneven, the runtime feels excessive, several characters are underdeveloped and the emotional beats do not always hit home. Beneath the guns, bloodshed, machismo and spectacle is a potentially compelling story about abandonment, inherited trauma, masculine violence and the complicated relationship between fathers and sons. The film clearly knows what it wants to say. It just doesn’t always know how to make us feel it.
Still, if you are a Yash fan, there is plenty to enjoy. His screen presence, action sequences, set design and world building, and larger-than-life performance make Toxic worth watching on the big screen.

Toxic Official Telugu Trailer | Rocking Star Yash | Geetu Mohandas | KVN | Monster Mind Creations

Toxic Official Tamil Trailer | Rocking Star Yash | Geetu Mohandas | KVN | Monster Mind Creations

Toxic Official Kannada Trailer | Rocking Star Yash | Geetu Mohandas | KVN | Monster Mind Creations

Toxic Official Hindi Trailer | Rocking Star Yash | Geetu Mohandas | KVN | Monster Mind Creations

Ladies & Ladies-Toxic (Kannada) | Yash | Nayanthara, Kiara, Tara, Huma, Rukmini | KVN | Monster Mind

Ladies & Ladies-Toxic (Tamil)| Yash | Nayanthara, Kiara, Tara, Huma, Rukmini |KVN | Monster Mind

Ladies & Ladies- Toxic (Telugu) | Yash | Nayanthara, Kiara, Tara, Huma, Rukmini | KVN | Monster Mind

Ladies & Ladies- Toxic (Hindi) | Yash | Nayanthara, Kiara, Tara, Huma, Rukmini | KVN | Monster Mind

Ladies & Ladies-Toxic (Malayalam)| Yash | Nayanthara, Kiara, Tara, Huma, Rukmini |KVN | Monster Mind

Toxic Official Malayalam Trailer | Rocking Star Yash| Geetu Mohandas | KVN | Monster Mind Creations

Toxic: A Fairy Tale for Grown-ups(2026)