Name: Chhaava (2025)
Genre: Drama, Action, Historical
Released: 2025-02-14
Rating: 7.4
Cast: Vicky Kaushal, Rashmika Mandanna, Divya Dutta, Akshaye Khanna, Ashutosh Rana

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A historical drama based on the life of Chhatrapati Sambhaji Maharaj, the valiant son of Chhatrapati Shivaji Maharaj, and his journey of courage, sacrifice, and legacy.

Chhaava (2025)

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CHAAVA is based on the book of the same name by Shivaji Sawant. Laxman Utekar, Rishi Virmani, Kaustubh Savarkar, Unman Bankar, and Omkar Mahajan’s story is neatly adapted into film format. Laxman Utekar, Rishi Virmani, Kaustubh Savarkar, Unman Bankar, and Omkar Mahajan’s screenplay is engaging. It is a bit dry in the first half but gets very engaging post-interval. Rishi Virmani’s dialogues are powerful and also clap-worthy in some scenes.

Laxman Utekar’s direction is splendid. We have seen him execute mid-sized films like LUKA CHUPPI [2019], MIMI [2021] and ZARA HATKE ZARA BACHKE [2024]. This is his grandest film yet and he handles it with a pro. The focus is not just on action but also on family conflicts. It adds a nice touch to the goings-on. The entry of Chhatrapati Sambhaji Maharaj is outstanding and sets the mood of the film. Aurangzeb’s Burhanpur visit is another stunning sequence. One scene that stands out in the first half is the meeting of Maharaj with Akbar (Neil Bhoopalam). Post-interval, the comeback by the Maratha army makes for an exciting watch. But the best is reserved for the pre-climax. The manner in which Chhatrapati Sambhaji Maharaj fights the Mughal army at Sangameshwar is seen to be believed.

On the flip side, the first half is a bit lengthy and devoid of the action that one would expect from a film like this. The music score is okay. Thirdly, it becomes difficult to remember the names of the Maratha armymen. In fact, when Chhatrapati Sambhaji Maharaj learns of the demise of someone from his army in the second half, it takes viewers a while to realize who actually died. Lastly, the climax is disturbing and not for all kinds of audience.
Vicky Kaushal roars with his performance like never before. He gets into skin of his character and looks very convincing when he fights hundreds of people single handedly. His dialogue delivery is also powerful. Akshaye Khanna also delivers a performance to watch out for. His cold stares enhance his act to another level. Rashmika Mandanna makes her presence felt. She has a small but important role in the film. Ashutosh Rana (Hambir Rao) is dependable as always. The same applies to Diana Penty (Zeenat). Divya Dutta (Soyrabai) is too good but sadly, has limited screen time. Vineet Kumar Singh (Kavi Kalash) is the surprise of the film while Neil Bhoopalam rocks in an extended cameo. Others also do well.

On the whole, CHHAAVA is a gripping historical spectacle that not only pays a fitting tribute to Chhatrapati Sambhaji Maharaj but also enthrals with its powerful storytelling, breathtaking battle sequences, grand visuals and stellar performances. Vicky Kaushal, in particular, delivers one of his career-best acts, while Laxman Utekar proves his versatility yet again. At the box office, the film has the potential to emerge as a strong performer, driven by its patriotic fervour, critical acclaim, and audience appreciation. A cinematic experience that deserves to be witnessed on the big screen!

Based on Shivaji Sawant's Marathi novel, Chhaava (lion's cub) aims to acknowledge the bravery of Shambhu Raje (Sambhaji Maharaj played by Vicky Kaushal), that most history books haven’t been able to. There’s more to him than being Shivaji’s son who was betrayed by his own men, captured and brutally executed by Aurangzeb (played by Akshaye Khanna). The film sheds light on why he was widely revered by his people and feared by rivals in the nine years that he held the Maratha throne.
Still reeling from the loss of his father, Sambhaji and Sersenapati Hambirrao Mohite (essayed by Ashutosh Rana) invaded Mughal stronghold Burhanpur right under their nose. For the nine years that followed, Sambhaji trampled on Mughals’ expansion plans making him a thorn in their side. Sambhaji’s bravery overcame the betrayal he faced by his own people until he was ambushed and captured in Sangameshwar. Even his brutal execution couldn’t kill his warrior spirit and fight for Swaraj.
Director Laxman Utekar builds his historical on a massive canvas, giving the film the larger than life appeal it deserves. The film starts off with promise and a grand slowmo entry but soon slips into stillness resembling a movie trailer. You miss that tension or sense of suspicion around the events that unfold. AR Rahman’s songs and background score drive the narrative, overriding the story and dialogues. The legendary music composer’s 'Aaya re toofan' (war cry) is a winner with its classic Maharashtrian Nashik Dhol Tasha but rest of the tracks don’t compliment the film’s setting or theme. Romantic number ‘Jaane Tu’ is beautiful as a standalone song but throws you off guard when placed in the movie as it sounds way too contemporary for the era. You constantly wonder if Ajay Atul would have been a better fit for a story like this.
The film’s soul lies in the second half, and it is here that Chhaava gets truly gripping and thrilling. The story picks up the pace, gets the emotions right and keeps you on the edge throughout the outstanding climax that sees Sambhaji single handedly fighting the Mughals. “Kuttay ke pillon se, sher ka baccha nahi bhaag jata” The writing ups the drama and feisty theme. The fight scenes are well choreographed and executed. The last part of the movie has been splendidly shot and deserves a theatrical viewing.
Last but not least, the film belongs to Vicky Kaushal and it’s fair to say he has given his blood, sweat and tears to this titular part. He channels his inner rage, allows his rudra avatar to take over and roars like a tiger in every scene, commanding your undivided attention. This is one of his finest performances till date and no one could have done it better than him. Akshaye Khanna and his one-liners are effective. He is refreshingly understated, even as his makeup and extensive prosthetic work go over the top. Actor Vineet Kumar Singh is a great casting choice to play Kavi Kalash. His conversation with Vicky gives the film some of its best scenes.
The women don't get as much screen space. The immensely talented Divya Dutta as Maharani Soyarabai has a powerful presence and deserved a meatier role. Rashmika Mandanna looks the part but struggles to get her language, accent and emotions right. Diana Penty turns out to be the biggest disappointment. She barely gets to speak but when she does, her stone-faced performance distracts you from the most intense scenes.
Chhaava’s excellence lies in its terrific climax, one of the finest in Bollywood historical epics. Vicky Kaushal is breathtaking as he exudes Sambhaji Maharaj’s valour and passion for swaraj like it were his second skin. You just wish the film relied and trusted its solid story more than Rahman's music, which largely feels out of place.

A blood-soaked Chhaava (Vicky Kaushal) tied in chains says a long monologue to an irate Aurangzeb (Akshaye Khanna). The Mughal emperor cheekily replies, 'Maza nahi aaya' (I did not enjoy). His rebuttal somewhat summed up what it was like to watch the 2-hour-40-minute long drama based on Chhatrapati Sambhaji Raje's life.

Chhaava has its intent in the right place - it wants to showcase the life of Sambhaji Raje - a figure we read about in our history books, but one which was always overshadowed by his father Chhatrapati Shivaji Raje's legacy. For someone born in the shadow of a warrior and a King, the curiosity to see his rise, his fall, his trials and tribulations as a prince and then a King is exciting.
Director Laxman Utekar embarks on this very ambitious journey with an earnest desire, but what seems to be missing in the film is the emotional connect. Early on we watch a long, tiresome introductory scene of Chhaava that is over-choreographed to look like it wants to ace Gerard Butler's now-plagiarised-by-all scenes from the iconic film, 300 -- the slow-mo shots with blood dripping, close-up frames of his fiery eyes and, of course, a lot of sword fights and hand-to-hand combat. Do you get the drift?
Thankfully, the second half picks up not just in pace but also gives direction to a somewhat sketchy and all-over-the-place first half. Akshaye Khanna as Aurangzeb has gone the distance to not just look the part with the prosthetic, but he also does a lot of acting through just his kohl-laced eyes.
As Aurangzeb, he speaks less, but his gaze and walk make up for the dialogues on paper. Rashmika Mandanna tries her best to become Chhavva's emotional anchor, but the abrupt character arc prevents her from doing more than showcasing her 'expressive eyes'. Chhaava's execution is an issue. With the story jumping too many timelines and abruptly taking us back and forth, the war scenes, deaths and catching up with different characters become strenuous.

Also, the background score is so loud that it drowns out what the characters are trying to emote in the frame. The songs don't stay with you or have you pick a tune that is in sync with Chhaava's struggle. You get distracted by the paraphernalia surrounding his strife instead of investing in his pain and suffering.

On paper, the dialogues and scenes might seem simple, but on screen, they get caught on the web of their own device. However, Chhaava isn't a lost cause. Some several strong moments and scenes lift the mood and tempo. All these work because of Vicky Kaushal's sincerity and determination to breathe life into this real-life warrior whose life is chronicled in different versions and testaments.

The climax is one of the most disturbing and violent endings you will see on the big screen. If you have watched Mel Gibson's The Passion of the Christ, it's that level of brutality and torture. The intent is to showcase the extent of his allegiance to his people and land, but the visuals are not for the faint-hearted.
Watch it for Vicky's performance. His commitment to his craft is unparalleled. Chhaava doesn't aim to be exceptionally different, but it masters the art of navigating the mainstream waters without completely drowning in the cacophony of its own voice.

This is the age of action masala films.

Audiences, these days, call them family entertainers or just paisa vasool entertainers.

Chhaava, produced by Dinesh Vijan and directed by Laxman Ramchandra Utekar, fits the bill where history, facts -- and controversies -- are conveniently sidestepped just so that box office collections keep ringing in and the film grosses multiples of Rs 100 crore (Rs 1 billion).

When biographical sketches of iconic history-makers -- Tanaji (who on Maharashtrian earth claps and whistles when Tanaji kills Uday Bhan?) was first and now Chhaava builds on the defiant valour of Chhatrapati Shivaji's son Sambhaji, who was mercilessly tortured by Aurangzeb -- are made without any passion for historic perspective or facts, the result is disappointment.
Vijan-Utekar have done their bit to exploit history and acts of bravery against all odds of the most-neglected Maharashtra icon Sambhaji to mint box office success.

So there are over-the-top fighting scenes, flying and swashbuckling warriors (even Ashutosh Rana, as the indomitable army general Hambirrrao Mohite gets to fly and fight), swords and bows and arrows swishing and piercing through bodies, and blood splattering all over the screen in five-six battle scenes.

The battles are against 800,000 soldiers, 50,000 horses and 30,000 elephants of the Mughal army led by Aurangzeb (Akshaye Khanna), as they barge into the Deccan to finish off Sambhaji, the Maratha Empire and Shivaji's 'soch', as Aurangzeb mutters under his breath.

The film begins with Sambhaji and his Marathas invading Burhanpur and burning it down to ashes.

The action scene between thw Maratha army and the Mughal army commandeered by Khan Zaman makes Sambhaji look like the cartoon character Chhota Bheem, especially, when he spins in the air and aims his fall to break the jaw of a lion, an act which has no documented historical evidence.

The Battle of Burhanpur (in 1681, soon after Sambhaji became the Chhatrapati of the Maratha empire when he was crowned on January 16 that year) was not the only battle that made Sambhaji a force to reckon with.

But Utekar and his team of writers and researchers are found wanting in depicting the rise of Sambhaji as they give a pass to the Battle of Kalyan (1682-1683), Battle of Panhala and Vishalgad (1684), his naval battle against the Siddis during the siege of Janjira (1682-1685), to mention just a few, that he fought himself.

When Vijan-Utekar and Vicky Kaushal, who plays Chhaava aka Sambhaji Raje, kept making the point that the Maratha king fought 127 battles and won all of them during his reign between 1681 and 1689 in the film's teaser, one expected the 160.50-minute film to showcase some of Sambhaji's most remarkable campaigns.

While Utekar spends full 10 minutes portraying the gore and blood at the Battle of Burhanpur he misses out on showcasing Sambhaji's shrewdness as a military strategist, his linguistic skills, his knowledge of guerilla warfare and his skills as a guerilla fighter.

While one admits that it is not possible to pack in so much depth to a character in a film -- after all, Chhaava is a film and not a Web series -- one cannot forgive the filmmakers for brushing over important battles that made Sambhaji who he was.

While Chhaava is a historically half-baked film, one has to give a big thumbs-up to the makers for attempting to make Sambhaji a national icon.

A thumbs-up also to Utekar for sparing the audience the blood and gore and merciless torture during the 30-minute climax where a captured Sambhaji is chained, his eye gouged out and his tongue cut even while making the point that for all his recklessness and mis-steps, Sambhaji remained undefeated and unbowed before Aurangzeb.

The climax is vividly symbolic in its treatment of how it was not Sambhaji who suffered the pain of physical torture but a broken and helpless Aurangzeb who, despite all the force and violence he heaped upon Sambhaji, couldn't succeed in making Sambhaji surrender before him.

Given the times that we live in, it would have paid dividends for any director-producer to use the film to spew communal venom and spread hatred but not Utekar-Vijan.

A mighty thank you for that as well, sirs!

Talking about Chhaava's music, A R Rahman has become monotonous with his melodies after Lagaan.

Vicky Kaushal and Rashmika Mandanna have done a good job as the Chhatrapati and his Maharani.

Divya Dutta is completely wasted as Sambhaji's scheming half-mother.
Chhaava deserves two stars for the historically half-baked film that it is, but four stars just for its attempt on making a film on Sambhaji.

Chhaava, one of the year’s most anticipated films has finally hit the screens. Directed by Laxman Utekar, the film brings to life the story of Chhatrapati Sambhaji Maharaj, the valiant son of Chhatrapati Shivaji Maharaj. It is an action-drama flick that takes you on a journey highlighting the legacy of a legend, who deserves much more than what has been written about him in the pages of history. Director Laxman Utekar clearly focuses on the story he wants to narrate, and the clarity of the storytelling is seen right from the opening slate of the film.
Throughout the promotions of the film, Laxman Utekar referred to Kaushal only as his ‘Raje (King)’. Bringing to life the character of Chhaava is a roaring Vicky Kaushal, who, through his portrayal of the king, makes you bow down to his acting skills. He walks, talks and breathes like Chhatrapati Sambhaji Maharaj. The Uri actor has put in a lot of effort to become the “Raje" Laxman Utekar wanted him to be, and the result is nothing short of a monumental achievement in their respective careers.
Aurangzeb Brought To Life
Akshaye Khanna has owned this character as much as Vicky Kaushal did as the King. Right from the walk to the delivery of dialogues and the aggression, Khanna makes you believe that he is indeed Aurangzeb. The actor has gone through a tremendous makeover and it is safe to state that no one else could have done justice to the character like Khanna did in the film. Khanna makes it clear with his stance and look, that he is the true ruler of the Mughal kingdom.
Maharani Yesubai Bhonsale
Beyond these two stalwarts’ performances, another prominent character in the film is that of Rashmika Mandanna, who plays the character of Maharani Yesubai Bhonsale also referred to as Chhatrapati Maharani. The actor has taken a lot of effort to slip into the skin of a Maratha queen and her portrayal of the queen is something that will make her stand out. Strong dialogue delivery with the right amount of innocence in her eyes, Laxman Utekar has hit it out of the park with yet another perfect casting for the film.

The Rahman Touch
When talking of kings and queens, who can forget the story of King Midas, who turned anything into gold with just a touch? Well, this is exactly what AR Rahman does with his music and background score. The theme track of the film, Aaya Re Toofan, along with the two soulful melodies, Jaane Tu and Zinda Rahey, already makes this album a strong contender for the music accolades. However, the background score might just take you on a trip to Jodha Akbar, as it sounds slightly similar here and there.

Overall, the film, produced by Dinesh Vijan under the banner of Maddock Films, has managed to capture the essence of who Chhatrapati Sambhaji Maharaj was and why people across the world need to know of his legacy.

Director #LaxmanUtekar - known for choosing diverse themes [#LukaChuppi, #Mimi, #ZHZB] - brings to life the inspiring story of #ChhatrapatiSambhajiMaharaj... He crafts a cinematic spectacle that captivates from the very first frame, seamlessly balancing grandeur with storytelling... With #Chhaava he ensures that it isn't just about the scale but also a tribute to the indomitable spirit of #ChhatrapatiSambhajiMaharaj.

#VickyKaushal delivers a towering, award-worthy performance as #ChhatrapatiSambhajiMaharaj... His commanding presence, searing intensity, fiery dialogues and emotionally charged moments elevate the film to an entirely new level... The confrontation sequences with #AkshayeKhanna are standouts, while the preceding action sequence is nothing short of exemplary.

#RashmikaMandanna excels, bringing depth, grace and emotional weight to the narrative... This stands among her finest performances.

#AkshayeKhanna is superb, once again proving why he's among the finest actors around... His transformation into #Aurangzeb is striking and even his silences speak volumes.

The film boasts grand visuals that captures the vast battlefields and regal palaces with grandeur... The battle sequences are meticulously executed - raw, realistic and adrenaline-pumping.

Final word? #Chhaava is a triumph - a historical that does justice to its subject, captivates with its narrative and leaves the viewer with a profound sense of pride... DON'T MISS IT.


At the heart of Chhaava is Vicky Kaushal's transformative performance as Sambhaji Maharaj. Kaushal embodies the character with such conviction and physicality that his portrayal is likely to be remembered as one of his career-defining roles. The action choreography stands out. The movie offers visually stunning battle sequences that add to the epic feel of the film. The stunning cinematography captures the grandeur and the harsh realities of the era.

Laxman Utekar's direction brings a respectful awe to the characters, making the film not just a historical recount but a visual ode to the Maratha legacy. The climax, an extended sequence lasting 50 minutes, is both brutal and impactful. It provides a strong conclusion to a story that had to be on celluloid, a long time ago.

Vicky Kaushal's performance is the soul of Chhaava. His physical transformation and emotional depth bring authenticity to the role. He is truly a lion's cub. Akshaye Khanna delivers a chilling portrayal of Aurangzeb, embodying the villainy with every scene. Rashmika Mandanna, while confident and charismatic, does not fully convince in her role due to her dialogue delivery.

The supporting cast, including Ashutosh Rana, Vineet Kumar Singh, and Diana Penty among others, provide solid performances, enhancing the film's depth with their nuanced roles.
Chhaava is a commendable effort by Laxman Utekar to bring the story of Chhatrapati Sambhaji Maharaj to the screen with reverence and intensity. Despite its flaws in sound design, song quality, and pacing, the film is bolstered by its lead performances, especially Vicky Kaushal's, and also its breathtaking action and terrific presentation. It's a film that demands to be seen on the big screen. Viewers discretion is advised because few portions are absolutely brutal.


Vicky Kaushal, Akshaye Khanna and Rashmika Mandanna starrer Chhaava (Lion’s cub) has been in the news since its inception. Adapted from Shivaji Sawant’s Marathi novel of the same name, the trailer and songs of the movie have garnered tremendous response from fans. While Chhaava is expected to become the biggest opener of the year, does it live up to the sky-high expectations of cinegoers? Let’s find out…
The plot begins from the period of January 1681, where Mughal emperor Aurangzeb gets to know the demise of Maratha King Chhatrapati Shivaji Maharaj. Aurangzeb and Mughals are relieved and happy that they can finally capture the Maratha empire of Dakkhan (Deccan). But little did they know about Chhatrapati Sambhaji Maharaj aka Chhaava, who attacks Burhanpur (Mughal’s most precious city) defeats them and warns Aurangzeb to not put his devil eyes on Dakkhan.
Aurangzeb is now furious and takes a vow to capture Chhatrapati Sambhaji Maharaj and take revenge from Maratha empire. On the other hand, Chhatrapati Sambhaji Maharaj also makes strategies with his troop to tackle and defeat Aurangzeb’s humongous army. And what happens next? Please watch Chhaava on the BIG screen to know that.
Director Laxman Utekar, who directed movies like Mimi, Luka Chuppi and Zara Hatke Zara Bachke, deserve brownie points for telling the story of a King, who symbolises bravery and valour. Right from first frame, he keeps the movie pacy, engaging and  entertaining with a lot of thunderous moments.

A.R Rahman’s music, BGM and scores blends beautifully with the narrative and enhances the storytelling. However, the jump cuts might be one of the obstacles that might give you a feeling of disconnect. The camera work of Saurabh Goswami is good while Manish Pradhan’s could have been a bit smoother and crisper.
Talking about the performance, Vicky Kaushal delivered a top-notch act and lived Chhatrapati Sambhaji Maharaj. Right from his aura dialogues to little nuances, he has aced every department of acting. Rashmika as Yesubai is mesmerizing and undoubtedly delivered one of her finest acts. Akshaye Khanna as cruel Aurangzeb is simply brilliant. Ashutosh Rana Divya Dutta, Vineet Kumar Singh and Diana Penty played their roles to the T.

After Munjya and Stree 2, Dinesh Vijan’s Maddock Films has brought exceptional cinematic experience with Chhaava, which perfectly blends historical grandeur with modern storytelling and ensuring that every frame is as visually striking as it is emotionally impactful.
On the whole, Chhaava is a cinematic experience, which should be witnessed on the big screen for star performances and above all to know about the great life of Chhatrapati Sambhaji Maharaj.

Hailing from Malad, Vicky Kaushal is the son of action director and stunt coordinator Shyam Kaushal. Vicky assisted Anurag Kashyap on Gangs Of Wasseypur in 2010 and Gangs Of Wasseypur in 2012 before landing his debut movie. Vicky started his acting career with small roles in movies like Luv Shuv Tey Chicken Khurana and Bombay Velvet. He rose to fame with the highly acclaimed movie Masaan in 2015. After that, he appeared in Zubaan (2016) and Raman Raghav 2.0 (2016).

Vicky Kaushal

Rashmika Mandanna is an Indian actress and model who works predominantly in Telugu and Kannada language films. She is a recipient of the Filmfare Award South and the SIIMA Award. She is known for her roles in Kirik Party and Geetha Govindam.

Rashmika Mandanna

Divya Dutta has acted out in a variety of films over the span of her successful career in Indian film industry. Her performances in Delhi-6, Welcome to Sajjanpur, Veer-Zara and Bhaag Milkha Bhaag were some of the prominent ones which got her worldwide acclaim. She is considered one of the most sought after and leading actresses in the parallel cinema. Not just Bollywood, she has established herself in Punjabi cinema as well. Notably, she has won several nominations and IIFA awards for her performance in supporting roles.

Divya Dutta

Akshaye Khanna is an actor who has won several awards for his performances in Bollywood. Some of his best films include Border, Taal, Dil Chahta Hai, Hulchul, Race, Ittefaq and Gandhi, My Father among others. He has won several prestigious awards for his performances including Filmfare and IIFA. He is the son of late actor-politician Vinod Khanna.

Akshaye Khanna

Ashutosh Rana is a popular name in Hindi, Marathi, Telugu, Kannada and Tamil cinema. He started his acting career with the television show Swabhimaan (1998). He gained popularity with Tanuja Chandra's movie Ghulam in 1998. Best known for portraying negative characters, Ashutosh has featured in movies like Kasoor (2001), Raaz (2002), Haasil (2003), Kalyug (2005), Awarapan (2007), Zila Ghaziabad (2013), Shorgul (2016) and Humpty Sharma Ki Dulhania (2014).

Ashutosh Rana

Pradeep Rawat is a television and film actor. He made his Bollywood debut in 1985 with the movie Meri Jung. Pradeep rose to fame with the character of Ashwathama in the television series Mahabharat. His best known movies include Lagaan (2001), Sye (2004), The Hero: Love Story of a Spy (2003), Chatrapathi (2005), Ghajini (2005), Stalin (2006), Jagadam (2007), Mesthri (2009), 1 - Nenokkadine (2014) and Nenu Sailaja (2016).

Pradeep Rawat

A successful model who has worked with international brands and top Indian designers, Diana Penty made her acting debut with the 2012 romantic comedy Cocktail. She won the best debut awards from Vogue Beauty and UK Bollywood Cosmopolitan. She is currently the brand ambassador of TRESemmé, Nokia’s Lumia 510 phone and Micromax Mobile. Penty has also featured on the cover of magazines like Vogue, Elle and Femina.

Diana Penty

Neil Bhoopalam

Santosh Juvekar

Chhaava (2025)

Chhaava (2025)(2025)

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