Name: He-Man and the Masters of the Universe
Genre: Action, Fantasy, Sci-Fi, Adventure
Released: 2026-06-05
Rating: 7
Cast: Nicholas Galitzine, Camila Mendes, Jared Leto, Idris Elba, Morena Baccarin

Amalapuram

Peddi

Blast Zone

He-Man and the Masters of the Universe

Godari Gattupaina

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A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom.

Times of India

India Today

The Indian Express

One of the greatest challenges facing any Masters of the Universe adaptation is balancing the inherent absurdity of its premise with genuine emotional investment. Travis Knight largely succeeds by refusing to treat the material as a joke. Instead of ironic detachment, the film approaches He-Man’s world with conviction, allowing audiences to immerse themselves in its mythology without constant winks at the camera. Nicholas Galitzine proves a surprisingly effective choice for Prince Adam. He brings enough vulnerability and uncertainty to the character to make the eventual transformation into He-Man feel earned rather than automatic. The performance never overcomplicates the role, but it gives Adam a relatable humanity that helps anchor the larger-than-life fantasy surrounding him. Camila Mendes brings confidence and determination to Teela, while Idris Elba lends considerable gravitas to Man-at-Arms. Alison Brie makes a strong impression despite limited opportunities to fully explore Evil-Lyn’s motivations. Jared Leto’s Skeletor is intentionally theatrical and larger than life. While some viewers may find the performance excessive, it fits comfortably within the heightened reality of Eternia and provides the film with a memorable antagonist.
Visually, the film is at its strongest when fully embracing the fantastical elements of the franchise. Eternia feels expansive and lived-in, filled with elaborate production design, striking costumes, and colourful environments that distinguish it from the increasingly generic fantasy landscapes common in modern blockbusters. Knight’s background in visual storytelling serves him well, creating several memorable action sequences that prioritise clarity and spectacle over chaotic editing. The screenplay is less successful. The narrative follows a familiar chosen-one framework, and several supporting characters receive less development than they deserve. The lengthy runtime occasionally reveals pacing issues, particularly in the middle act, where exposition and world-building slow the momentum. Some attempts to set up future instalments also feel more obligatory than organic.
Nevertheless, Masters of the Universe succeeds where many legacy reboots fail. It understands what made the original property resonate with generations of fans and translates that affection into a modern blockbuster without losing its identity. It may not redefine fantasy cinema, but it delivers exactly what a He-Man film should with heroic adventure, colourful villains, grand battles, and an unwavering belief in the power of mythic storytelling.

For a character whose most famous introduction involves raising a sword and loudly announcing his power, He-Man spends a surprising amount of time questioning it. That may be the smartest thing about Masters of the Universe.

After decades of living in pop culture as the poster boy for exaggerated masculinity, be it impossibly broad shoulders, impossibly large swords and an even more impossible physique, He-Man returns to the big screen in a film that is less interested in celebrating power than interrogating it.
Thankfully, it works more often than it doesn’t.

Directed with equal parts nostalgia and self-awareness by Travis Knight (Bumblebee), Masters of the Universe follows Prince Adam (Nicholas Galitzine) as he struggles to embrace his destiny as Eternia’s legendary protector while the ever-menacing Skeletor threatens to plunge the kingdom into chaos once again. On paper, the plot is familiar. Chosen one. Ancient prophecy. World-ending villain. Big sword. You know the drill.

Yet the film finds unexpected depth by focusing less on the battle for Eternia and more on the battle happening within Adam himself.At a time when superhero cinema often mistakes trauma for character development and aggression for strength, Masters of the Universe takes a surprisingly softer route. Adam’s journey is not about becoming stronger. It is about accepting uncertainty, vulnerability and responsibility. The film repeatedly asks a simple but compelling question: What if true power lies not in domination, but in restraint? It’s not exactly revolutionary, but it feels refreshingly sincere.
Nicholas Galitzine anchors the film with a performance that balances physicality and emotional openness. He looks every bit the fantasy hero audiences expect, but more importantly, he allows Adam’s insecurities to exist without embarrassment. There is a quiet vulnerability beneath the armour that makes the character feel more human than his larger-than-life mythology suggests.
Opposite him, Jared Leto appears to be having an excellent time as Skeletor. The actor wisely leans into the theatricality of the role without tipping completely into self-parody. Skeletor remains deliciously dramatic, delivering threats with the kind of operatic flair that only a fantasy villain named Skeletor can get away with. The performance occasionally flirts with camp but never fully loses its menace.

Camila Mendes also emerges as one of the film’s strongest assets. As Teela, she brings emotional intelligence and agency to a character who could easily have existed solely to support Adam’s journey. Instead, Mendes gives Teela enough independence and presence to feel like a hero in her own right.

What makes Masters of the Universe particularly interesting is how aware it is of He-Man’s cultural baggage. For decades, the character represented a very specific version of masculinity. The film acknowledges that legacy without mocking it. There are subtle moments throughout that challenge traditional ideas of heroism and gender expectations. The visual choices, including Adam frequently appearing in softer colours during key emotional scenes, feel deliberate rather than accidental. The message never becomes heavy-handed, but it remains clear: strength and sensitivity do not have to exist in opposition.
That said, the film occasionally struggles to balance its ambitions. The pacing becomes uneven whenever the story shifts between intimate character moments and broader franchise-building responsibilities. One particular joke involving masculinity feels noticeably dated and sits awkwardly within a story otherwise attempting to challenge those very assumptions. It is not enough to derail the film, but it does briefly expose the tension between old franchise instincts and newer ideas.
Still, Masters of the Universe deserves credit for trying something many modern superhero films seem reluctant to do: slow down.

Beneath the mythology, monsters and sword fights is a surprisingly thoughtful story about identity, responsibility and emotional courage. The film offers something increasingly rare: a hero whose greatest challenge is not defeating a villain, but understanding himself.

By the power of Grayskull, He-Man finally learns that vulnerability might be his greatest strength. The film is now in theatres.


 It doesn’t do to go around dressed in a loincloth, wielding a shiny sword and declaring oneself “He-Man” these days – at least not in a big-bucks Hollywood film that is hoping not to cause any affront, to he, she, they, them, or it.

So how do you tap into a character that was born as a Mattel toy and largely remembered only by an audience who first encountered him as an animated TV series in the 1980s, and is now into their middle age? Director Travis Knight and screenwriters Chris Butler and Adam and Aaron Nee (who have several award nominations between them) settle on a tone that is constantly mocking the whole concept while trying to kick off a successful franchise with it.
It is surprising how well they are able to do this when they do it well. It is as surprising how the film still manages to feel and look like a frenetic video game being played by a bunch of compulsive teenagers.

As He-Man aka Prince Adam of Eternia, Nicholas Galitzine must literally do the heavy lifting. The English actor is a good choice for, more than muscle, he wields his mega-wattage smile and blond, wholesome good looks, to give a He-Man with a difference, which is what this film is going for.

As his arch enemy, Jared Leto is excellent as the faceless Skeletor, given the juiciest lines which he delivers with a flourish that puts him in the category of villains who almost walk away with the film. From “pitiful petulant pissant (and several more ‘p’s)” to “muscle-bound milquetoast”, to “weak little palace boys”, Skeletor lays out his contempt for Adam thick.
Camila Mendes and Idris Elba are the daughter-father pair of Teela and Duncan, Adam’s loyal companions when he decides to take on Skeletor. The dark lord has for company Evil-Lyn (Alison Brie, living it up), his witch-at-hand who is just about surviving with the few tricks she knows.

When Adam is just 10, Skeletor attacks Eternia and holds Adam’s parents – the King and Queen – hostage. Adam escapes to Earth with the help of the Sorceress (Morena Baccarin). Fifteen years later, he is still dreaming of Eternia and to find the Sword of Power that will take him back there. When he does, with the help of Mendes’s Teela, the film kicks off.

It feels compelled after that to keep kicking as much as possible, with Adam, Teela and the lot vs Skeletor’s army of deplorables fighting in the sky, in flying objects one more inventive than the next, or on the ground, against imposing castles or rock faces for backdrop. At other times, they just fall and fall, onto flora in psychedelic colours.

In his Earth life, Adam worked in Human Resources, where he was paid to be as faceless as possible, behind a nameplate that bore two pronouns, and learnt to talk the language of “how not to hurt feelings even when firing someone”, and dialogue as the means of conflict resolution. Of course, this must clash with his new macho life in Eternia.

Masters of the Universe is smart about playing up the contrasts, particularly a sequence where Adam dreams of encountering Skeletor in different scenarios on Earth, including in pinstripes at work.

Among the many minor characters who are sketched out nicely is Roboto (Kristen Wiig), a warrior robot now turned into a helper robot, who has a mouth as much as a punch.

However, Masters of the Universe is too eager to rush into fights, with no coherence about where and to what effect the battles are being waged – just that they are.

When the Sword won’t help Skeletor as he holds it up and declares the magic words “I have the Power”, Evil-Lyn advises him to try again: “Once more, with feeling.”

This is once more – you can’t shake off that feeling.

He-man and the Masters Of The Universe - Official Final Trailer | In Cinemas June 5

MASTERS OF THE UNIVERSE - Teaser Trailer English | Exclusively In Cinemas 5 June

MASTERS OF THE UNIVERSE - Teaser Trailer (Hindi) | Exclusively In Cinemas 5 June

MASTERS OF THE UNIVERSE - Teaser Trailer (Telugu) | Exclusively In Cinemas 5 June

MASTERS OF THE UNIVERSE - Teaser Trailer (Tamil) | Exclusively In Cinemas 5 June

He-man and the Masters of the Universe - Official Hindi Trailer | Exclusively in cinemas June 5

He-man and the Masters of the Universe - Official Telugu Trailer | Exclusively in cinemas June 5

He-man and the Masters of the Universe - Malayalam Trailer | In cinemas June 5 | Unni M | Adithya M

He-man and the Masters of the Universe - Tamil Trailer | In cinemas June 5 | Karthik S | Adithya M

Nicholas Galitzine is an English actor. He became known for his roles in the films High Strung and Handsome Devil.

Nicholas Galitzine

Camila Mendes

Honored with the Most Excellent Order of the British Empire, Idris Elba is an English actor, producer and musician. In 1988, he won a place in the National Youth Music Theatre and also started to work as a DJ under the alias Big Driis. He is best known for movies like the Thor franchise, Pacific Rim and for playing the lead in the biographical film Mandela: Long Walk to Freedom. He has also voiced major characters in animated Disney films like Finding Dory, Zootopia and The Jungle Book. He was named as one of the Most Influential People in the World by Time magazine.

Idris Elba

Suicide Squad star Jare Leto is famous among the people for his role as Joker. The actor has been starred in many fantastic movies and has got supreme recognition. Jared started his carrier with small television appearances and after that got mainstream roles and there was no looking back. He has done many tremendous roles in movies which include Suicide Squad(2016), Chapter 27(2007), Mr. Nobody(2009), Fight Club(1999), Dallas Buyers Clubs(2013), Lord Of War(2005), Panic Room(2002), American Psycho(2000) and the list goes on.

Jared Leto

Morena Baccarin is a Brazilian-American actress who primarily appears in soap operas. In 2001, she made her film debut with the role of Monica in Perfume and went on to appear in major films like Serenity and Deadpool. Her most remembered performances have been in shows like Firefly, Stargate, V and Homeland. Baccarin is a graduate of the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York. She has been nominated multiple times for her performances in V, Deadpool and Homeland.

Morena Baccarin

Kristen Wiig is an American comedian, writer, filmmaker and actress. She is best known for her work in the series Saturday Night Live and her performances in films like The Martian, Ghostbusters and Bridesmaids. She studied art at the University of Arizona before turning to acting and is an alumna of the Groundlings Theatre in Los Angeles. She has won several awards and nominations for her work in films and music over the years.

Kristen Wiig

James Purefoy

Charlotte Riley

Alison Brie is an American actress and model best known for her performances in popular TV shows like Community and Mad Men. Listed as “one of the most beautiful faces in the world” by the Annual Independent Critics List, Brie has a bachelor's degree in theater from the California Institute of the Arts. She also attended the Royal Scottish Academy of Music and Drama in Glasgow before beginning her acting career. She has won several awards and nominations for her acting in films as well as on TV. Some of her significant movies include How to be Single?, The Little Hours and The Post.

Alison Brie

Jóhannes Haukur is an actor best known for his recurring appearances in the Game of Thrones series. Also a musician, Haukur has appeared in films like The Good Liar, Atomic Blonde and Alpha. He holds a BFA degree in acting from the Iceland Academy of Arts and has been constantly working on stage and screen alike. Haukur has also been a resident artist at the National Theater in Iceland before working in international film and TV projects.

He-Man and the Masters of the Universe

He-Man and the Masters of the Universe(2026)

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