Name: Jaat
Genre: Action, Drama
Released: 2025-04-10
Rating: 6.4
Cast: Sunny Deol, Randeep Hooda, Jagapati Babu, Regina Cassandra, Vineet Kumar Singh

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In a coastal village oppressed by a ruthless criminal, a traveller uncovers the villagers’ suffering. Determined to seek justice, he takes matters into his own hands.

Jaat

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Gopichand Malineni's story (writing team: M Vivek Anand, Nimmagadda Srikanth, Srinivas Gavireddy, Mayukh Adithya, Krushna Hari) is simple but the plot point in the first half adds a nice touch. Gopichand Malineni's screenplay is a case of old wine in a new bottle. Yet, the writing keeps one gripped. Moreover, the backstory of Ranatunga and the reason why the protagonist fights the villain is very different from the rest of the mass-appealing films. Saurabh Gupta and Sai Madhav Burra's dialogues are entertaining. But except for the hard-hitting dialogue in the police station, the dialogues in the rest of the scenes doesn't pack a punch.

Gopichand Malineni's direction is damn good. He has mounted the film on a grand scale and has ensured that the film has enough clapworthy and whistle-worthy moments. The first half is very amusing, especially the way the protagonist goes to insane lengths for an apology. It will also raise laughs. The other strength of his execution is that he gradually opens up the flashback. That helps maintain the intrigue value. The police station scene in the second half is powerful and will create a frenzy in theatres.

On the flipside, the film has too many disturbing scenes, which might put off a section of the audience. It is understandable that certain such shots were required to show the terror unleashed by Ranatunga. But some visuals are needlessly added. After the intermission, the film drops. The item song is forced.
Sunny Deol is presented in an avatar which will be loved by his fans. It is the apt film for him after the monstrous GADAR 2 [2023] and performance-wise, he's outstanding. Randeep Hooda is apt for the villainous role. He looks quite menacing and is convincing as the opponent of an actor of the calibre of Sunny. Viineet Kumar Siingh, as expected, is terrific and does justice to his character. Regina Cassandra (Bharati) is a surprise. She uses her mere expressions to induce terror. She's sure to be noticed by the Hindi film industry after this role. Saiyami Kher (M Vijayalakshmi) leaves a tremendous mark. Swaroopa Ghosh is over the top but it works for her character. Upendra Limaye is too good and adds to the massy appeal. His entry scene will be well received. Ramya Krishnan (President), Zarina Wahab, Makarand Deshpande and the actor who plays the school girl do well in supporting roles. Others who are decent are Jagapathi Babu (CBI officer Satyamurthy), Mushtaq Khan (kind-hearted cop), Babloo Prithiveeraj (inspector C H Sunil Kumar) and the actor playing the corrupt central minister. Urvashi Rautela looks sizzling in the item song.
On the whole, JAAT is an explosive paisa vasool entertainer that thrives on its power-packed mass moments, thoroughly entertaining first half, razor-sharp execution, and above all, Sunny Deol’s electrifying star presence. At the box office, it has the potential to set single screens ablaze, paving the way for strong collections and sustained audience applause.

Gopichand Malineni’s Jaat, his foray into Hindi cinema, is an unabashedly loud, hero-driven spectacle that aims to marry the exaggerated swagger of South Indian action with North Indian grit. The result is a film that offers moments of undeniable impact but ultimately plays too safely within the confines of well-worn formulas.
With a title steeped in cultural pride and defiance, Jaat wears its identity on its sleeve. It’s a vehicle crafted almost entirely to showcase Sunny Deol in full vintage mode—bellowing iconic one-liners, delivering bone-crunching punches, and embodying a mythical brand of masculinity that harkens back to the ‘90s. And to its credit, the film embraces this tone unapologetically.
The plot unfolds in a coastal village ruled by the iron hand of Ranatunga (a chilling Randeep Hooda), whose tyranny sets the stage for a classic messiah narrative. A lone drifter arrives, bears witness to the injustices, and predictably becomes the avenging force. While the premise holds promise, it’s the execution that falters. The film leans heavily on tropes—blood-soaked revenge arcs, slow-mo punches, and sermon-heavy dialogues—leaving little room for surprise or nuance.
Where Jaat does briefly shine is in its first half. The tension is palpable, the villainy unsettling, and the non-linear screenplay keeps the audience engaged. Hooda, in particular, is magnetic as Ranatunga, portraying menace with mythological flair. His Ravan-obsessed villain is one of the film’s few inventive choices, lending depth to an otherwise familiar face-off. Sunny Deol, meanwhile, thunders his way through with nostalgic bravado, delivering lines like “yeh dhai kilo ke haath ki power poora North dekh chuka hai, ab South dekhega” with such conviction, one can’t help but cheer—even if the screenplay around him doesn’t always rise to the occasion.
Technically, Jaat is solid. The cinematography lends a gritty texture, and the action choreography—though overindulgent at times—is kinetic and stylish. Saurabh Gupta and Sai Madhav Burra’s dialogues are the film’s lifeblood: over-the-top, theatrical, and often far more memorable than the scenes they inhabit. However, the same can’t be said for the narrative momentum, which sags in the second half and struggles to justify its emotional beats.
One of Jaat’s most disappointing aspects is its treatment of female characters. Regina Cassandra and Saiyami Kher are sidelined, their roles underwritten despite glimpses of potential. Kher, in particular, plays a senior police officer with a fierce presence, but the script offers her little to do beyond becoming a plot device.
Jaat delivers exactly what it promises: a nostalgia-fueled action drama powered by its male leads and dialogue-heavy theatrics. But for all its sound and fury, it lacks the narrative courage to push beyond its comfort zone. It’s a decent one-time watch for fans of old-school Deol-led actioners, but for anyone seeking innovation or depth, Jaat may feel like a missed opportunity wrapped in a thunderous punch.

What do you say about a film that audiences don’t get tired of cheering and whistling at, thanks to the hero’s antics? The trailer of Sunny Deol-Randeep Hooda’s 'Jaat' gave a glimpse of an action-packed drama on offer and we must say the film did not disappoint.

From dramatic high points to actors packing punches and kicks, the adrenaline only soars scene after scene. And to top that, director
Gopichand Malineni (also credited for story and screenplay) doesn’t make 'Jaat' a frivolous actioner riding high only on Deol’s image and stardom. he film boasts a strong narrative, some exemplary performances and balanced emotions that make you enjoy rather than cringe. The film aces in all the areas where Salman Khan’s Sikandar probably failed.

Coming to Sunny Deol, he may be the shy and sweet man in real life, but he transforms into an invincible hero who can take on a whole town (even country, in case of Gadar) single-handedly. The best part? He makes it look convincing that you can’t help but keep rooting for him. Whether it's pinning the villains down effortlessly or breaking down infrastructure to his loud ‘oye’, the seats in theatres almost reverberated when he got going.
At one point, Deol even claims, “Yeh dhai kilo ke haath ki taakat north dekh chuka hai, ab south dekhega (North has already seen the power of this 2.5 kilos arms, it’s South’s turn now). That’s when you realise how it took so long for the South film industry to wake up to Sunny Deol’s charm and potential. The unreal action sequences most South films offer, matches the actor’s energy and style.
Randeep Hooda, as the Sri Lankan terrorist, sneaks into India and becomes a vicious gang leader in multiple villages in Andhra Pradesh. Not someone to even blink an eye while beheading people, the real life Jaat aces the role of the baddie Ranatunga, who desires only power and money. After 'Chhaava' and 'Superboys of Malegaon', Vineet Kumar Siingh returns as Somulu, Hooda’s younger brother. While he seems to have fun playing the rowdy part, his character does get on your nerves when he makes Cuckoo-like sound to intimidate people.
The women in 'Jaat' don't really have much to do amidst all the male-drive action. While Regina Cassandra surprises with her dark avatar as Ranatunga’s wife, Sayami Kher is quite a disappointment as a police officer. After Daaku Maharaj, Urvashi Rautela once again appears in a poorly choreographed and styled song.

The filmmaker doesn’t hold back when it comes to graphic content. From beheadings and severed fingers to gunshots and atrocities against women, 'Jaat' can be quite triggering at times. Like most South Indian films, the drama is high-octane, the dialogues are whistle-worthy, and there’s a strong social message echoing through the otherwise loud background music. However, it's disappointing to hear misogynistic statements—like asking men if they’re “wearing bangles” when they hesitate to pick up arms. It’s high time filmmakers upped their sensibility game.

However, a special credit to the makers for turning a simple ‘apology request over a dropped plate of idli’ into a recurring high point across the film from comedy to action. That’s smart writing! The pace is gripping, and even with a runtime of almost 2 hours 40 minutes, there’s little to complain about, especially in the first half. The non-linear format and use of flashbacks also add to the entertainment and keep you engaged throughout.

Sunny Deol also gets his share of monologues, where he taps into his 'Gadar', 'Border' and 'Ghayal' zone. He is introduced amid a Ramayan theme, with a ‘Jai Shri Ram’ song bursting in the background. Jaat is not unfamiliar, but Sunny Deol’s presence makes it a fun watch. At 67, it’s impressive to see the actor do what he does on screen. This one should be watched only and only for him.

Trying to review a film starring someone you adore? Now, that's walking a tightrope!

It's been more than a year since Sunny Deol's action juggernaut, Gadar 2, thundered through cinemas.

But hold onto your seats because his next, Jaat, opens up in the remote jungles of Sri Lanka -- that itself is a visual wonder -- and barrels in from the moment Sunny comes on screen. Once it does and doesn't let up even for a second, you are strapped in for a wild ride. Seriously, you will be glued to your seat until that intermission hits.


And that is when the title drops -- talk about building anticipation!

During that brief pause, as I tried to catch my breath, a thought struck me.

Is this a Sunny Deol show despite its vibrant ensemble cast, firing on all cylinders? Of course, yes!
Randeep Hooda, with that intense gaze of his, is utterly menacing as the relentless Ranatunga. You can practically feel his unforgiving nature radiating off the screen.
But the real scene-stealer is Regena Cassandrra, playing Ranatunga's wife, Bharahi.

She embodies this stark, dangerously alluring character with such unapologetic conviction. It's captivating!

You actually find yourself rooting for her even in the darkest moments -- a testament to Regena's compelling portrayal.

When Makarand Deshpande, a truly phenomenal actor, makes an appearance, it feels like a fleeting glimpse.

You can't help but wish his character had more room to breathe.

Saiyami Kher brings a steely resolve to her role as a police officer though some of her lines have a distinct South Indian flavour and don't suit her.

Viineet Kumar Siingh as Somulu, Ranatunga's bad boy brother, blends into the tone of negativeness in the movie well, a role he hasn't been seen doing till now.

The second half of the film leans into preachy territory but its overall tone manages to elevate it.

It's like the puzzle pieces slowly click into place, revealing the motivations behind the on-screen chaos.

The narrative neatly ties up all loose ends, which is always satisfying.

Zarina Wahab also steps into the action arena with this film, but just like Deshpande, Saiyami, Ramya (as the President of India) and Jagapathi Babu (as CBI officer Satyamurthi), her screen time too feels limited.
And let's be real, who does over-the-top action with such endearing soft-spoken moments and eyes that could charm *anyone*, even little ones?

That's the Sunny Deol magic.

So if you're craving a crowd-pleasing, action-packed movie and felt a bit let down by Bhai's Sikander, then Jaat is your ticket!



Honestly though, in this full-throttle action spectacle designed purely for adrenaline junkies, there isn't much room for anyone else to steal Sunny Paaji's thunder.

When a film opens with Sunny Deol walking in, you hear thunder. Pair him with Randeep Hooda as the villain? Warning: national threat! Jaat, that released in theatres today, April 10, builds fast, loud, and punchy. But just when things should be getting tighter and tenser, the film slows down like a tractor stuck in mud. You sit up, popcorn in hand, thinking: “Okay, this is going to be EPIC." And for a while, it is… Until the movie decides to take a chai break. And never really comes back.

Jaat kicks off with full josh. Classic action-packed desi masala with drama, brotherhood, revenge, and the smell of burning tyres in the air. It all starts when a Jaat’s idli time is rudely interrupted when some gang members topple it. Sunny Deol plays the no-nonsense hero whose peaceful dhaba pit stop turns into a battleground when a bunch of rowdy guys mess with the wrong man. He wants them to say ‘sorry’ and when the gang refuses, one punch leads to another. Before you know it, Sunny’s character is knee-deep in a web of political corruption and underworld dealings as he eventually comes face-to-face with the menacing Rana Thunga, our very own Randeep Hooda.
In a crux, Rana Thunga is a fearsome Sri Lankan immigrant who’s built a smuggling empire so ruthless, even the shadows of Mootupali tremble. With the village gripped by fear and no saviour in sight, hope hangs by a thread, until Sunny Deol storms in. He doesn’t speak much but when he moves, Rana’s world begins to crack.

Action fans can rejoice because this is one film that delivers every dhishoom-dhishoom fantasy you’ve had since the ’90s. The punches land, the enemies fly, and the background score screams intense. The rising tension and explosive clash between Jaat and Rana Thunga fuels pure adrenaline. The thunderous background score and bone-crunching action sequences demand your full attention.
One of the highlights of the film is when Sunny Deol says, “Iss dhai kilo ke haath ki taakat, poora north dekh chuka hai, ab South dekhega." He later unleashes that iconic dhai kilo ka haath to stop a speeding car. Pure masala entertainer!

And Randeep Hooda as a villain is what we should we seeing on the screens more often. He is fearless and scary.

But somewhere post-intermission, it’s like the writers ran out of plot and just threw more stunts at the screen, hoping we wouldn’t notice. But we noticed. Unfortunately, the second half is a bit of a drag. Scenes keep stretching and test your patience.

The action continues, sure—but it starts feeling like filler. Same goons, same punches, same expressions—just in different lighting. At one point, it feels like the editor left the room and forgot to come back. You’re watching Sunny fight again and Randeep stare intensely again, and you’re just mentally screaming, “Bhai, bas karo!"

Bottom line: The second half becomes a loop of repetitive scenes, and dialogues that had tadka earlier suddenly don’t land.
Let’s talk performances! Sunny Deol walks in like a legend, and honestly, he’s still got it. That intensity? Unmatched. That voice? Gives you goosebumps. He brings the old-school hero energy that makes you want to clap every time he raises his voice. Randeep Hooda is convincing. As the antagonist, he’s smooth, sinister, and silently terrifying. He doesn’t scream to scare you—he just stares. If only the script had kept up with them, Jaat would’ve been a blockbuster.

The film features a star-studded cast including Regina Cassandra, Saiyami Kher, Ramya Krishnan, Jagapathi Babu, Babloo Prithviraj, Zarina Wahab, Upendra Limaye, Ajay Ghosh, Ayesha Khan, Dayanand Reddy, and a special appearance by Urvashi Rautela. They all do a wonderful job.

Filmmaker Gopichand Malineni makes his Bollywood debut with Jaat. His direction has glimpses of brilliance—especially in the first half. But the cinematography? Frame it, please! One of the film’s major wins is how it looks. The visuals are sharp, the action is captured crisply. Each frame has been shot with absolute perfection. Whether it’s a dusty fight scene or a sunset showdown, the frames are aesthetic goals. The cinematographer clearly showed up with a vision. Honestly? If awards were handed out for “making chaos look cinematic," this one’s a strong contender.
Jaat is jointly produced by Mythri Movie Makers, People’s Media Factory, and Zee Studios’ Naveen Yerneni, Ravi Shankar, TG Vishwa Prasad, and Umesh Kumar Bansal.

So here’s the final verdict: Jaat is intense, exciting and full of drama. Sunny Deol storms in like it’s still 1995, breaking bones and the sound barrier. Randeep Hooda? Oh, he’s the villain your mom warned you about. But then the second half happens with the plot moving slower than a Monday morning.

Watch it for the vibes, the action, and the action sequences that Sunny and Randeep serve. Beware of too much of bloodshed and chopping off of heads.

If you are a fan of Sunny Deol, this movie is for you!

#SunnyDeol roars again... A full-on mass entertainer, driven by three major strengths: #Sunny's heroism, seeti-maar dialogues and zabardast action... A mass-friendly package that delivers what it promises. #JaatReview

Director #GopichandhMalineni – known for crafting solid entertainers in #Telugu cinema – presents a rooted, rustic tale loaded with mass-frendly moments... The entire first half rests on the #SorryBol episode – the highlight of the film.

Hiccups? Yes, the writing could've been sharper and more concise in the second half, and the drama isn't as impactful in this hour... But hey, it's a hardcore #SunnyDeol entertainer, so just sit back and go with the flow.

#SunnyDeol is terrific – catering to his fan base and that large segment of moviegoers that craves well-crafted entertainers... The kind of heroism he brings to the screen is sorely missing in most #Hindi films today.

#RandeepHooda is excellent as the antagonist – the director presents him as a truly menacing force... #VineetKumarSingh is in top form, does immense justice to his character.

The background score amplifies the heroism, the cinematography beautifully captures the earthy textures, and the action sequences are executed with thunderous impact.

Final word? #Jaat is an ode to the masala cinema we've cherished for years – a genre that's sadly missing from the #Hindi cinema landscape today... The film delivers what the audience craves: a big-screen entertainer.

Sunny Deol looks absolutely dashing as Brigadier Baldev Pratap Singh. Jaat, directed by Gopichand Malineni, is a fictional action drama that explores themes of community dynamics in several coastal towns of Andhra Pradesh. It is not based on a true story, but it touches upon corruption at different levels starting from the politicians, bureaucracy and the police force.
Sunny Deol plays his age and an army man who knows how to take charge of situations not only in the border, but within the country in a state which is infested by Sri Lankan terrorists. It is a complete mass action movie, but not mindless. It is a compelling story and shows the different hierarchies in the society and how the poor people are completely at the mercy of the corrupt politicians and criminals
The story is set up in a rural coastal village in Andhra Pradesh. Some ruthless terrorists from Sri Lanka enter the country and land up in one of the villages in Andhra Pradesh. Their only motive being to terrorise and take the entire land from them. The leader of this gang is Ranatunga ( Randeep Hooda). The kinds of atrocities that Ranatunga and his gang do, there are instances where you will feel like turning your face from the screen and yet try to look at what is happening in the fear of missing out on something important. It is electrifying, immersive and engaging, all at the same time. The only thing that the makers could have toned down a little was the violence. But if you love the smell of blood, and if beheading men and chopping fingers gives you an instant high, you should give Jaat a try.
Sunny Deol starrer actioner Jaat is a complete massy and entertaining film. Randeep Hooda does the perfect role of a villain. But in some places, I felt that Vineet Kumar Singh, who has given us so many brilliant performances, but the way his role was written was not as intense as Hooda’s. Regina Cassandra and Saiyami Kher roles are quite impactful and they do complete justice to it.

Jaat is a perfect theatre worthy movie and unapologetically brash. Most of the time while watching the film, you can feel the north south conflict which is just too harsh. An absolutely massy film which is good for a one-time watch. The emotions are high and so are the actions, so what are you waiting for, just head to the nearest cinema halls.


A winner of two National Film Awards and two Filmfare Awards, Sunny Deol is an actor popular for his work in Bollywood. Considered as one of the best action heroes of Hindi cinema, Deol comes from a family of many successful film stars. Some of his best known works include Betaab, The Hero: Love Story of a Spy, Ghayal, Damini, Ziddi, Border, Arjun Pandit, Farz and the Yamla Pagla Deewana film series.

Sunny Deol

Hailing from Rohtak, Haryana, Randeep Hooda is a Bollywood actor. He made his debut in 2001 with Mira Nair’s Monsoon Wedding. Randeep rose to fame after Once Upon A Time In Mumbai in 2010. Known for playing unconventional roles, Randeep’s best works include Saheb, Biwi Aur Gangster, Jannat 2, Jism 2, Murder 3, Bombay Talkies, Sarbjit and Sultan. Apart from being an actor, Randeep is an avid sportsperson.

Randeep Hooda

With a career spanning over 25 years, Jagapati Babu is one of the most celebrated names in South Indian Cinema. Winner of 3 Filmfares and 7 of the prestigious Nandi Awards, Jagapati Babu has starred in films like Gaayam (Telugu), Madrasi (Tamil), Bachchan (Kannada), Srimanthudu (Telugu), Rangasthalam (Telugu) and Sye Raa Narsimha Reddy (Telugu) among others.

Jagapati Babu

Regina Cassandra

Vineet Kumar Singh is a Hindi film actor and writer. After playing small roles in multiple movies, he gained his first lead role in Anurag Kashyap’s Mukkabaaz (2018). Interestingly, Vineet also co-wrote the screenplay of the movie. Some of his popular movies include names like Gangs of Wasseypur - Part 1 and Part 2, Isaaq, Gori Tere Pyaar Mein, Bombay Talkies, Ugly and Daas Dev.

Vineet Kumar Singh

Saiyami Kher is an actress who made her Bollywood debut with the 2016 film Mirzya. She has also worked in Tollywood and the Marathi film industry. Her performances have earned her the Stardust and the Dadasaheb Phalke Awards within a short span of time.

Saiyami Kher

Babloo Prithiveeraj

Celebrated for her work in South Indian cinema, Ramya Krishnan is an award-winning actress. She has worked in films like the Baahubali saga, Ore Kadal, Padayappa, Kante Koothurne Kanu, Aambala and Konchem Ishtam Konchem Kashtam. Her work has earned her the Nandi Awards, the Filmfare and IIFA among other accolades and honors.

Ramya Krishnan

Upendra Limaye

Makarand Deshpande

Zarina Wahab is an Indian actress who made her debut with the film Ishq Ishq Ishq (1974). She then went on to make staggering appearance in movies like Chitchor (1976) and Gopal Krishna (1979) in the 1970s. Zarina has made an appearance in well over 50 films in her career, some of them being Jazbaat (1980), Dard-E-Dil (1983), My Name Is Khan (2010), Rakta Charitra (2010) and Agneepath (2012). She was last seen in Dil Dhadakne Do which released in 2015. She is now set to appear in the film,Viswasapoorvam Mansoor (2017), Her 2019 releases include PM Narendra Modi and Mudda 370 J & K.

Zarina Wahab

Ajay Ghosh

Dayanand Reddy

Pudipeddi Ravi Shankar also known as Sai Ravi, is an Indian actor, dubbing artist, director and writer. He predominantly appears in Kannada films, in addition to Telugu and Tamil films. He dubbed for over 3500 films with more than 1000 films each in Telugu and Tamil, and over 150 films in Kannada.

P. Ravi Shankar

Jaat

Jaat(2025)

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