Name: Crime 101
Genre: Thriller, Crime, Action
Released: 2026-02-13
Rating: 6.5
Cast: Chris Hemsworth, Halle Berry, Mark Ruffalo, Barry Keoghan, Monica Barbaro

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An elusive thief, eyeing his final score, encounters a disillusioned insurance broker at her own crossroads. As their paths intertwine, a relentless detective trails them hoping to thwart the multi-million dollar heist they are planning.

Crime 101

India Today

Firstpost

In a marketplace crowded with IP spectacles and algorithm-friendly thrillers, Crime 101 feels almost defiantly old-school. Bart Layton’s adaptation of Don Winslow’s novella leans into the pleasures of the adult crime drama, procedural, performance-driven, and patient, even when its ambitions occasionally sprawl beyond its grip.

Set against the sunlit menace of Los Angeles and its arterial Highway 101, the film follows a string of high-end jewel robberies that obey a strict set of rules: no violence, no witnesses, no deviations. At the centre of it all is Chris Hemsworth’s Mike Davis, a disciplined thief whose calm precision masks a slow-burning internal reckoning. Hemsworth’s turn is one of the film’s quiet pleasures, stripped of superhero swagger, he plays restraint as a form of tension, letting silences and glances do much of the work. It’s a reminder of his range.
Across the moral chessboard is Mark Ruffalo’s Lou Lubesnick, a veteran detective whose pursuit feels driven less by career ambition and more by obsession and fatigue. Ruffalo brings lived-in weariness to the role, grounding the film whenever its plotting threatens to grow too sleek for its own good. Their cat-and-mouse dynamic is less about fireworks and more about suspicion, pressure, and inevitability, which suits the film’s measured pacing.
Halle Berry, as insurance broker Sharon Stone (a name that feels like a deliberate noir wink), adds texture to a role that could have been functional on paper. Berry imbues Sharon with agency and ambiguity, making her more than a narrative connector between crime and consequence. Barry Keoghan, meanwhile, injects volatility into the ensemble, his presence signalling danger even when the script hesitates to fully unleash it.
Where Crime 101 falters slightly is in its structural ambition. Layton layers perspectives and timelines with confidence, but the film’s near-epic runtime occasionally weighs against its relatively lean source material. Some character threads feel introduced with promise only to resolve too neatly or too late, giving the sense of a film that wants to say more about systems, masculinity, and moral codes than it ultimately has room to explore.

Stylistically, the film wears its influences proudly; the influence of Michael Mann’s urban cool and classic LA noir are unmistakable. The craftsmanship is assured, from nocturnal cityscapes to tautly staged heist sequences, but familiarity is both its strength and its limitation. Crime 101 rarely surprises, even when it remains consistently engaging.
Still, there’s value in a film that trusts atmosphere, actors, and adult attention spans. Polished, thoughtful, and anchored by strong performances, Crime 101 is a solid, satisfying thriller that knows the rules well, even if it doesn’t always break them.

When you go to watch a crime thriller, you generally expect edge-of-the-seat tension, fast pacing, and thumping set pieces. However, director Bart Layton’s Crime 101 subverts that expectation and leans more into character arcs than the heist itself. Adapted from Don Winslow’s novella of the same name, the film settles into a slow, methodical rhythm, allowing tension to simmer beneath quiet conversations, watchful glances, and carefully constructed silences. It’s the kind of thriller that prioritises atmosphere over action, a rarity in the crime and heist genre.
Right from the first sequence, you know you are in for a technically brilliant film. The way the narrative unfolds, with a calming yoga voiceover asking you to breathe in and breathe out, while high-octane music plays in contrast, instantly sets the tone. The sound design, paired with striking cinematography, heightens the drama and prepares the audience for the psychological journey ahead.
Chris Hemsworth steps away from his larger-than-life screen persona to deliver one of his most restrained performances in recent years. Playing calculating high-profile thief Mark Davis, Hemsworth trades physical bravado for psychological intensity. Despite being a criminal, there is no overt menace in his body language. He is portrayed as a man shaped by poverty, driven by a desire to escape a life of deprivation. He wants money so that he never has to return to that sense of lack, yet he is principled enough to avoid harming innocents in the process. In his own way, he simply wants to swindle the rich without blood on his hands.
Mark Ruffalo plays the weary detective chasing ghosts. In a world where he becomes the yin to Hemsworth’s yang, the audience gradually begins to see how similar the two men are in their moral codes. Ruffalo’s Lubesnick refuses to bow down to lies, even when doing so feels like a costly mistake. There’s a lived-in quality to his performance with the exhaustion, the obsession, and the slow erosion of certainty that makes Lubesnick feel painfully real. Ruffalo resists the temptation to dramatise, opting instead for subtle gestures and controlled restraint, which ultimately make his character’s unraveling far more compelling.
What truly elevates Crime 101 is its refusal to sensationalise crime. The film is less interested in the mechanics of the heists than in the psychology behind them. It explores the idea of criminal ethics that, paradoxically, offers structure in a morally chaotic world. This thematic undercurrent lends the narrative a philosophical weight rarely seen in mainstream thrillers.
Bart Layton’s direction leans into minimalism. The camera often lingers, observing rather than intruding, allowing tension to build organically. Los Angeles is portrayed not as a glamorous sprawl but as a cold, impersonal maze. It serves as a fitting backdrop for a story about control, isolation, and moral ambiguity. The pacing, while deliberate, never feels indulgent, although viewers accustomed to faster, plot-driven thrillers may find its measured tempo demanding.


That said, a little later into the film, the tempo can feel testing. At 140 minutes, the runtime is long, and at times the silences and lingering camera work feel stretched. The plot demands sustained attention, asking viewers to sit with its stillness in order to fully appreciate the morally ambiguous climax, which tests conventional notions of right and wrong. The film’s final act resists easy catharsis, choosing ambiguity over closure, and in doing so, leaves behind a lingering sense of unease rather than tidy resolution.
Crime 101 does not deliver explosive thrills or crowd-pleasing twists. Instead, it roots itself in obsession, morality, and the thin line separating order from chaos, while delving deep into the psyche of its characters. Anchored by three compelling performances and a director unafraid of silence, the film emerges as a refreshingly different addition to the modern crime-heist drama landscape.


CRIME 101 - Official Trailer | Exclusively In Cinemas 13 February 2026

CRIME 101 - Official Trailer 2 (Hindi) | Exclusively In Cinemas 13 February

Chris Hemsworth is an Australian actor who gained international recognition with the portrayal of Thor in Marvel movies since 2011. He has also acted in several TV series prior to which he was a popular contestant in the Australian version of Dancing with the Stars. Some of his most well known movies include the horror comedy The Cabin in the Woods and the dark-fantasy action film Snow White and the Huntsman. He has also appeared in the sci-fi action film Star Trek in 2009.

Chris Hemsworth

Halle Berry is a highly acclaimed, Oscar-winning actress best known for playing Storm in the X-Men movies, Catwoman & Leticia Musgrove in Monster's Ball. She is the first African-American actress to win the Oscar and has also been honored with the Emmy Awards, the Golden Globe and People’s Choice Awards among others. In 2007, she received a star on the Hollywood Walk of Fame. She was also named as “The Sexiest Woman Alive” by Esquire magazine in 2008.

Halle Berry

An American actor and filmmaker, Mark Ruffalo has received several accolades for his performances in film as well as theater. He replaced Edward Norton for the role of Dr. Bruce Banner/Hulk in the Marvel Cinematic Universe in 2012. Some of his best performances have been in movies like Eternal Sunshine of the Spotless Mind, Now You See Me and You Can Count On Me. Ruffalo founded the Orpheus Theater Company and directed a number of plays. Sympathy for Delicious marked his first feature film debut.

Mark Ruffalo

Barry Keoghan is an Irish actor. He has appeared in the films Dunkirk, The Killing of a Sacred Deer, for which he won an Irish Film and Television Award for Best Supporting Actor and was nominated for the Independent Spirit Award for Best Supporting Male, and Calm with Horses, for which he was nominated for the BAFTA Award for Best Actor in a Supporting Role. He also played the "heartless cat killer", Wayne, in the RTÉ drama Love/Hate.

Barry Keoghan

Monica Barbaro is an American actress. She is best known for her roles as Yael in season 2 of Unreal and as Cora Vasquez in The Good Cop. 

Monica Barbaro

Crime 101 | Official Trailer 2

Crime 101

Crime 101(2026)

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