Name: Sitaare Zameen Par
Genre: Drama, Comedy
Released: 2025-06-20
Rating: 7
Cast: Aamir Khan, Genelia D'Souza, Dolly Ahluwalia, Gurpal S Singh, Brijendra Kala

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Based on the Spanish film Champions, the story follows a sports coach’s journey as he rediscovers life through his bond with children who see the world differently. The film features Aamir Khan and Genelia Deshmukh, along with ten debutant actors.

Sitaare Zameen Par

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SITAARE ZAMEEN PAR is the official remake of CAMPEONES [2018]. The story is fabulous. Divy Nidhi Sharma's adapted screenplay is full of entertaining and touching moments. Divy Nidhi Sharma's dialogues are simple yet effective and enhances the humour and emotional quotient of the movie.

R S Prasanna's direction is superb. To begin with, SITAARE ZAMEEN PAR is not a scene-to-scene remake, as alleged. The makers have added a few sequences, which were not present in CAMPEONES and is very well inserted into the narrative. From start to finish, the film is a fun and light-hearted ride with never a dull or boring moment. The characters are very well fleshed out, especially that of Gulshan. While making viewers laugh, it also educates them about the characteristics of neurodivergent people. Its sure to be an eye-opener. Unlike the predecessor, TAARE ZAMEEN PAR [2007], there are hardly any scenes which will make viewers teary-eyed. Yet, the impact is made.

On the flipside, the first half is just alright and the high is missing during this hour. The approach taken by the makers, with the sports scenes, is different than the one we are used to. One might get a feeling that the characters are able to easily win the match or that the matches are not given their importance. 2-3 funny scenes don’t land well. Lastly, the music is not upto the mark.

SITAARE ZAMEEN PAR has a straightforward opening. The character of Aamir is not introduced with a dramatic entry sequence. The first 10-15 minutes neatly establishes Gulshan and the life he’s living. The film gets better once Gulshan has his first lesson with the basketball team of neurodivergent people. The scene where Kartar Paaji (Gurpal Singh) enlightens Gulshan about the lives of his team players is heartening. The intermission point is sweet. Post-interval, the entertainment increases as Golu Khan (Simran Mangeshkar) gets introduced. The scenes where Suneeta agrees to join the team and Kartar refuses to join the national team are unconvincing as their reasons for doing so are not properly established. The madness in the bus also gets a bit far-fetched. However, the film shows his brilliance in the last 45 minutes once the team arrive in Mumbai. The elevator scene is funny but watch out for the scene thereafter. It will bring the house down. The finale will induce a lot of emotions in the viewers. The final scene and the end credit visuals are worthy.
Aamir Khan is in top form, especially compared to his act in his last film, LAAL SINGH CHADDHA [2022]. He gets completely into the skin of his character and delivers an outstanding performance. Genelia Deshmukh is hardly there in the first half but dominates the post-interval portions. She’s top-notch and proves yet again why she deserves to be seen more. Gurpal Singh plays a crucial role with perfection. Dolly Ahluwalia Tewari (Preeto) and Tarana Raja leave a mark in supporting roles. Brijendra Kala (Daulat ji) seems wasted at first but turns out to be the surprise of the film. Deepraj Rana is decent. Happy Ranajit (Surinder; Gulshan's lawyer) Sham Mashalkar (Rustom), Nikhat Khan Hegde (Hargovind's mother) and Amin Hajee (Ashok) have special appearances and perform ably. And finally, coming to the ‘sitaares’. Ashish Pendse (Sunil), Aayush Bhansali (Lotus), GopiKrishnan K Verma (Guddu) and Simran Mangeshkar leave the maximum impact followed by Aroush Datta (Satbir), Rishi Shahani (Sharma ji), Rishabh Jain (Raju), Vedant Sharma (Bantu), Samvit Desai (Kareem Qureshi). Naman Misra (Hargovind) stands out due to his character and performance.
On the whole, SITAARE ZAMEEN PAR is quintessential Aamir Khan - cinema that enlightens, entertains, and leaves you with a smile. The final 40 minutes are the film’s emotional crescendo, lifting the narrative to dizzying heights. These sitaaare shine bright and are bound to win your heart. At the box office, the film may open on a modest note, as anticipated, but is poised to witness dramatic growth over the weekend - paving the way for a strong and steady lifetime run. What’s also commendable is Aamir Khan’s unwavering belief in the theatrical experience - he’s backed this film with full conviction, and audiences just might return the favour generously. Recommended!

An official remake of the 2018 Spanish hit Champions, Sitaare Zameen Par serves as an indirect sequel to 2007’s Taare Zameen Par. While the earlier film highlighted developmental disabilities through the lens of dyslexia and remedial education, this one shifts the focus to individuals with intellectual disabilities (ID), like Down Syndrome and invisible autism, on a basketball court.
Despite a sensitive and layered subject, R S Prasanna's directorial venture, written by Divy Nidhi Sharma, remains a wholesome, feel-good watch. It strikes a commendable balance between delivering a message and educating viewers about ID, all with a lighthearted touch. At its core is a message of inclusivity—conveying that people with ID are employable, independent, full of life, and deeply empathetic. The film sensitively portrays the characteristic traits of the players' conditions without reducing them to labels—Bantu’s (Vedant Sharma) stimming through ear-scratching, Guddu’s (GopiKrishnan K Verma) aquaphobia, Sharmaji’s (Rishi Shahani) speech impairment, and the less-recognised invisible autism in high-functioning Hargovind (Naman Misra). These are presented as facets of their personalities, not just symptoms.
The film mixes sentiment with spunk, avoiding overly preachy tones. ID is described through relatable lines like, ‘Humaari kismat haathon pe nahi, chromosome pe likh ke aati hai (Our destiny isn't written on our palms — it's written in our chromosomes).’ While the underdog sports narrative and troubled-coach arc feel familiar, the film’s heart and humour keep it engaging. That said, the story does wander. Subplots involving his mother, Preeto (Dolly Ahluwalia Tewari), and their butler Daulatji (Bijendra Kala) contribute little to the core story. A few other sequences feel stretched, and pacing suffers in parts. The climax gets overly sentimental in parts. Some scenes, like the team managing airfare and accommodation for the final match, come across as convenient and trite.
Aamir Khan stands out as the brash, initially insensitive, and politically incorrect coach. He convincingly portrays a man who evolves while retaining a certain swagger. Genelia Deshmukh is sincere as his wife Suneeta, though her character lacks depth. The ensemble cast—Ashish Pendse, Aroush Datta, Aayush Bhansali, Rishi Shahani, GopiKrishnan K Verma, Rishabh Jain, Vedant Sharma, Simran Mangeshkar, Samvit Desai, and Naman Misra—deserves applause for bringing energy, authenticity, and warmth to the film. Dolly Ahluwalia Tewari, Bijendra Kala, and Gurpal Singh offer solid support.
If Taare Zameen Par had the soul, Sitaare Zameen Par brings the spirit. It’s a heartwarming family watch that blends comedy, compassion, and charm, and is definitely worth a trip to the theatre.

Director RS Prasanna and writer Divy Nidhi Sharma inject a sense of unlikely fun throughout the film. Every joke lands. Every emotional beat feels organic. Aamir Khan's impeccable expressions never miss the mark. Honestly, while you might go in expecting eyes to well up like they did during 'TZP', this one surprises you with how light-hearted, warm, and genuinely funny it is.

The only gripe with 'Sitaare Zameen Par' is its runtime - at two hours and 39 minutes, the film drags, particularly in the second half. Tighter editing and trimming a few scenes would have made it far more engaging.

In 'Sitaare Zameen Par', Khan urges you to live fearlessly, carrying kindness in your heart. His trademark arched eyebrows and self-pitying glances offer glimpses into a man in the process of self-discovery. And that's something you can't take away from Khan - his protagonists often push you to be a better person. Yes, they might get preachy on the way, but more often than not, they bring you home. There's a quiet sense of victory by the end. You might be facing the weakest moment of your life - down, humiliated, hopeless - but Khan's films tell you to give it one more shot and find joy wherever you are in life. That, perhaps, is the greatest strength of 'Sitaare Zameen Par'.
The film gently nudges you to get up, smell the coffee again, pluck the colourful flowers, greet the rising sun, and simply try one more time.

The beauty of 'Sitaare Zameen Par' lies in the fact that it isn't trying to be anything it's not. There are no hidden metaphors or layered messages to decode. It is what it is - not a flawless portrayal of emotion, but a story with its heart in the right place. And oh, when it makes you laugh, it really makes you laugh. It puts to shame all those so-called comedies built on crass humour and sexist jokes.

Brijendra Kala and Dolly Ahluwalia are an absolute treat. Ashish Pendse, Aroush Datta, Aayush Bhansali, Rishi Shahani, GopiKrishnan K Verma, Rishabh Jain, Vedant Sharma, Simran Mangeshkar, Samvit Desai, and Naman Misra form a starry team around Khan - perhaps the best supporting cast he's ever had. While Khan's performance remains effortless and charismatic, these children elevate the film with warmth and joy.
'Sitaare Zameen Par' is a well-intentioned, extremely funny, family film. It doesn't rely on cheap laughs, nor does it belittle anyone to make a point. Genelia D'Souza as Suneeta is a refreshing presence, playing a role her age - a real woman who gives her emotionally confused husband multiple chances to align their wavelengths.

You don't need any preparation to watch this film - it comes easily to you. One moment you are seated, and the next, you are rolling down in laughter. The humour is its USP; the performances are its soul.

Aamir Khan returns with a tickling feather and a promise: a story for all ages, all kinds, and all shades of normal. Because there's 'sabka apna apna' normal. You don't fear it. You don't shoo it away. Your normal is acceptable - and so is mine.


An insensitive, full-of-himself basketball coach, suspended from his job, finds himself doing community service: in three months he has to shape a group of young adults, largely with Down’s Syndrome, into a team that is capable of participating in tournaments. Based on the 2018 Spanish film Campeones, ‘Sitaare Zameen Par’ adopts the original’s determinedly cheery vein to win its matches; in the process, it also wins our hearts.

Gulshan (Aamir Khan) is the guy with an attitude problem, and he uses it to make everyone around him unhappy. His wife Sunita (Genelia d’Souza) wants a baby. He doesn’t. His senior coach wants compliance. Gulshan behaves badly. A drunk driving incident leads him, reluctance and truculence firmly in place, to a vocational centre for people with special needs. Here he encounters a group of spirited youngsters who challenge his idea of ‘yeh bechaare bachche’: Satbir, Guddu, Bantu, Hargovind, Sharmaji, Lotus, Raju, Kareem, Sunil, Golu are all young people with specific personality quirks which go beyond their facial Down’s distinctiveness, often unclear vocalisation and other limitations which are part of the autism spectrum. These are young people who have a sense of self, and fun: slowly but surely, Gulshan finds himself being drawn into their circle, and what started as a punishment becomes pure affection.
How the insufferable Gulshan finds a better side of himself, replacing the smirk with a smile, is a big part of ‘Sitaare Zameen Par’: you can call that out for what it is, but you can also see how a star can power a story like this, in the way it platforms and makes visible those who live with disability. It teeters very close to becoming an Aamir Khan vehicle– look, look, I am not irredeemable, even if I start out by calling these adults ‘paagal’ and ‘mental’, so of a piece with of how society at large views ‘differentness’ –but it manages to strike a balance by letting it be a film about the neurodivergent young people who may not lead the narrative but have an equal share in it.
To make a film revolving around intellectual disability is fraught with risk. If you make people cry, people within the community can accuse the filmmakers of being miserabilist ; if you make them laugh, you can be charged with making light of a tough situation. Borrowing the tone from the original, ‘Sitaare Zameen Par’ chooses to stay on the side of laughter, and it’s a wise decision, because what you can convey to the average person through laughs sometimes has more weight than wrung-out-tears. The last time I watched an effective film showcasing a character with Down’s was Nikhil Pherwani’s ‘Ahaan’ which should have been watched by more people; ‘Sitaare’ has the starry heft to go out far and wide, and I’m happy that it’s more feel-good than feel-bad.
Because, make no mistake, this is a film whose express intention is to normalise ‘everyone’s normal’. It doesn’t shy away from being message-y –sab ka apna apna normal hota hai—but it is not, praise be, preachy. It is here to tell us that parents and caregivers who live with youngsters with Down’s (autism is also mentioned in a couple of places, which is fine because one of the youngsters in the film has Aspergers Syndrome, but in one startlingly misleading instance, a character mentions ‘invisible autism’: what’s that?) are allergic, and rightly so, to the word ‘bechaara’: the need of the hour has always been acceptance, not pity. Because acceptance means taking collective responsibility for those who are ‘different’, not off-hand pity which can be brought out and stuffed back inside when the occasion arises.

The 2007 ‘Taare Zameen Par’ brought dyslexia to the forefront, with Aamir playing a teacher who coaxes a near-suicidal student out of the hole he’s dug himself into. ‘Sitaare’ is a near-reprisal, but also a neat flip, in the way the teacher becomes the taught. Which is not to say that ‘Sitaare’ doesn’t have flaws. In some parts, the explanations become a bit stage-y, even though Gurpal Singh’s character brings a lovely restrained emotional core to the man who runs the remedial centre; in other bits, the humour is heavy-handed. Occasionally, the film flattens.

Talent, teamwork and tenacity are attributes that, as a rule, occupy centrestage in a sports drama. These qualities come to the aid of a team of hoopsters that fights to beat the odds stacked against it. Add to the proceedings a dash of feel-good, high-spirited humour and periodic tugs at the heartstrings and you have Sitaare Zameen Par, somewhat inconsistent in pace but always entertaining.

The underdog story, scripted by Divy Nidhi Sharma and directed by R.S. Prasanna, pivots around ten neurodiverse basketball players placed under a reluctant coach, an angry not-so-young man in dire need of a course correction.

The team does not get along with the coach. A judge assigns the job to the latter as punishment for ramming his car into a police vehicle in a drunk driving case. Although they find winning ways difficult to come by to begin with, each member of the outfit makes steady progress on and off the basketball court.

There is nothing new in here in terms of story. Sitaare Zameen Par is an official remake of the 2018 Spanish film, Campeones (Champions), which, a few years later, saw a Hollywood iteration with Woody Harrelson in the lead.
The lack of originality does not however take anything away from the incredible performances of the ten first-time actors. In its celebration of diversity and inclusion, Sitaare Zameen Par goes further than any Indian movie ever has.

The process that helps the protagonists develop focus and cohesion is expectedly exacting - no less so than the drill that must have gone into getting the actors ready for the movie camera - and it is around those challenges that the Aamir Khan starrer revolves.

Sitaare Zameen Par blends comedy, emotions and the infectious vitality of a physically tough sport to drive home the resilience of the human spirit in the face of adversity - physical, mental and societal.
Aamir Khan, back on the big screen three years after the underwhelming Laal Singh Chadda, effortlessly slips into the character of a temperamental man who is often mocked for his short stature. In a fit of rage, he socks the head coach in the face. He is promptly suspended. The knocks that follow are even harder. His ego takes a beating.

Sitaare Zameen Par is about redemption that dawns amid a haze of scepticism. Gulshan (Khan) is in a trough. His wife (Genelia D'Souza) and mother (Dolly Ahluwalia) struggle to keep him away from his questionable impulses.

On the professional front, Gulshan has a reputation to rebuild. He isn't the one who does all the teaching. Unlike the school instructor in Taare Zameen Par (2007) who helps a boy with a learning disability discover himself, he learns from his wards, youngsters drawn from different backgrounds.
The director lets the magnificent ten go with the flow. As a consequence, the sort of artifice that is often an intrinsic part of acting is refreshingly missing in these admirably organic performances.

This isn't, of course, the first time that special actors have fronted an Indian film. In 2019, Nikhil Pherwani made Ahaan, in which the titular character was played by Abuli Mamaji, an actor with Down Syndrome.

A year earlier, Bengali filmmaker Soukarya Ghoshal cast an actor with special needs, Mahabrata Basu, in Rainbow Jelly. In a follow-up to that film, Pokkhiraj's Dim (The Unicorn's Egg), released recently, the actor, 17 when the film was shot, reprises the character.

Suresh Triveni's Jalsa (2022) had an actor with cerebral palsy playing a young boy with cerebral palsy and Kaushik Ganguly's Chotoder Chobi (2014) centred on two actors born with dwarfism. But that is where Indian cinema's story of authentic representation of disability grinds to a halt.

That is how it would have remained had the remarkable sitaare of this film not descended in our midst and demonstrated that there is much more to acting than what we are accustomed to. Sitaare Zameen Par is a rousing slam dunk because it has its heart in the right place.

Aamir Khan’s Sitaare Zameen Par has every ingredient to make it a blockbuster. It’s a spiritual sequel to the extraordinary Taare Zameen Par. It has a social message laced with feel-good humour. It marks the superstar’s return to the big screen three years after Laal Singh Chaddha. And it brings together a bunch of ‘intellectually disabled’ people and celebrates their lives. What’s refreshing is that here, there’s no room for sappiness (for the most part).

And while it may be a remake of the Spanish film Campeons, it does bring to the Indian audience a unique story. But somehow, Sitaare Zameen Par doesn’t quite cross that stage that could make it a great film. The RS Prasanna directorial centres around Gulshan, an assistant basketball coach. At a basketball tournament in Delhi, he ends up punching the head coach, who riles him up by calling him ‘tingu’ (brownie points for this self-deprecating humour).
Angry, Gulshan drinks, blasts out Bhaag DK Bose and ends up hitting a police van. He ends up in the lock-up and then in court. The DUI case results in Gulshan having to pay a fine (for referring to the intellectually disabled as ‘paagal’) and engage in community service, where he’s required to train a group of intellectually disabled people at a hostel so that they can compete in a national-level basketball tournament. There, he meets Sunil, Raju, Sharmaji, Karim, Bantu, Lotus, Hargovind, Satbir, and then Golu.

These individuals on the spectrum are dealing with autism, invisible autism, Down’s Syndrome, and Fragile X Syndrome. But nothing can beat their zest for life. On the personal front, Gulshan is also dealing with a troubled marriage. While his wife Suneeta wants a child, he doesn’t. To escape a conversation and a confrontation, he moves in with his mother.

Though hesitant at first, over time, an impatient Gulshan slowly finds himself warming up to them and holding their hands toward the finale of the tournament. This journey also helps him fix his relationship with his wife. One would imagine that it’s a rather simple story. Well, it is. But rarely has Bollywood gotten neurodivergence right. Sitaare Zameen Par finally sets the right precedent, thus crushing the lopsided and ill-informed perspective of it that mainstream Bollywood often portrays.
But not every problem requires a solution — and even if they do, certain things are best left to the audience’s imagination. The minimalism further gets lost as the narrative gets crammed with a whole lot of themes — all of it just to highlight the differences between Gulshan and Gulshan 2.0. What happened to keeping it simple, silly?

For instance, Gulshan battles with many emotional pangs and baggage like daddy issues and fear of abandonment. These themes are brought up — sometimes subtly and sometimes not — here and there, and yet, they don’t create any impact on the narrative. Dolly Ahluwalia Tewari, who plays Gulshan’s snarky and sharp-tongued mother, adds an interesting edge to the story, but the sequence that chronicles the second innings of her life in the second half completely dilutes her impact and barely contributes anything to the larger storytelling.
Additionally, neither the music nor the chemistry between Aamir’s Gulshan and Genelia Deshmukh’s Suneeta works. Aamir does give it his all and makes a rather earnest attempt at essaying Gulshan. But once again, it appears to be a nostalgic ride down memory lane, as it becomes an extension of the emotionally stunted man-child he has already played — albeit multiple times. However, the scenes between him and his group of students definitely do leave a mark.

Ashish Pendse, Aroush Datta, Aayush Bhansali, Rishi Shahani, GopiKrishnan K Verma, Rishabh Jain, Vedant Sharma, Samvit Desai, and Naman Misra hit it out of the park with their brilliant acts and impeccable comic timing. But it is Simran Mangeshkar as the unhinged and no-nonsense Golu Khan who will win your heart. She loves her cigarettes, doesn’t think twice before hitting a man in the crotch, and is so self-confident in her own skin that when someone refers to her as Golu and not Miss Khan, she feels they’re hitting on her.

She has some rather cutesy scenes with Gulshan — one where he carefully removes onions and capsicum slices from her pizza, and another where he ties her hair with colourful hair clips. Gurpal Singh and Brijendra Kala are impressive too. Genelia also makes a great attempt with the material available, but her character is no Tisca Chopra from Taare Zameen Par, thus suffering due to being undercooked.

Having said that, you could give Sitaare Zameen Par a shot. Reasons? It’s a celebration of neurodiversity, makes a strong statement about inclusivity, breaks down stigmas surrounding it, and makes you think about what ‘the other kind of normal’ is. It comes as a gush of fresh wind at a time when actioners and jingoistic dramas have become the order of the day. Plus, Aamir has no plans of releasing it on any streaming platform.

Sitaare Zameen Par | Official Hindi Trailer | Aamir Khan | Genelia Deshmukh | 20th June 2025

Sitaare Zameen Par | Official Tamil Trailer | Aamir Khan | Genelia Deshmukh | 20th June 2025

Sitaare Zameen Par | Official Telugu Trailer | Aamir Khan | Genelia Deshmukh | 20th June 2025

Aamir Khan is a celebrated Hindi film actor, producer, television host and director. He made his first screen appearance as a child artist in 1973 with the movie Yaadon Ki Baaraat. In his acting career spanning over three decades, he has appeared in over 50 movies. Aamir is best known for his performances in movies like Qayamat Se Qayamat Tak Dil, Sarfarosh, Raja Hindustani, Lagaan, Rang De Basanti, Ghajini, Dhoom 3, PK and Dangal. He made his directorial debut in 2007 with the movie Taare Zameen Par. Aamir has received nine Filmfare awards along with four National Film awards.

Aamir Khan

Genelia Deshmukh is an Indian actress and model who predominantly appeared in Telugu, Hindi, and Tamil language films. After gaining wide attention in a Parker Pen commercial with Amitabh Bachchan, D'Souza began her acting career with the box-office hit Tujhe Meri Kasam in 2003. 

Genelia D'Souza

Dolly Ahluwalia

Gurpal S Singh

Brijendra Kala is a Bollywood actor. He made his debut with Brij Kau Birju (1996). He has appeared in movies like Jab We Met (2007), Karthik Calling Karthik (2010), Mere Brother Ki Dulhan (2011), Paan Singh Tomar (2012) and M.S. Dhoni: The Untold Story (2016).

Sitaare Zameen Par

Sitaare Zameen Par(2025)

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