Name: Toy Story 5
Genre: Animation, Adventure, Comedy, Family, Drama
Released: 2026-06-19
Duration: 1 h 47 min
Rating: 6.7
Cast: Tom Hanks, Tim Allen, Joan Cusack, Craig Robinson, Anna Faris

English

हिन्दी

Hindi

4DX-3D

ICE 3D

12 AM To 8 AM

Early Morning

8 AM To 12 PM

Morning

12 PM To 4 PM

Afternoon

4 PM To 7 PM

Evening

7 PM To 12 AM

Night

5 PM To 12 AM

After 5 PM

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Wheelchair Friendly

Recliners

A changing world puts Woody, Buzz, Jessie and the gang to the test as technology reshapes childhood itself. While navigating new challenges, they discover that belonging is about evolving without losing your heart.

Toy Story 5

Bollywood Hungama

Times of India

India Today

Andrew Stanton's story is the need of the hour and very relevant. Andrew Stanton and Kenna Harris' screenplay is peppered with joyful and moving scenes and will be lapped up by kids and adults alike. The dialogues are entertaining.

Andrew Stanton's direction is praiseworthy. He has been one of the writers of the previous TOY STORY films and this is his first time directing a film in this iconic series. He does full justice to the franchise and ensures that the elements that made the series so popular are present in abundance – simple, relatable moments, characters that touch your heart and loads of entertainment and thrill. His biggest victory is that he has effectively mirrored the reality of screen addiction. A scene in the film involves Jessie looking from a rooftop and realizing that all the kids, and even adults, in the neighbourhood are glued to their devices. Also, it’s a natural progression of a series on toys to show that they are now facing competition and that they are now in a world where it seems like kids don’t need them. Another interesting plot point is the difficulty faced by kids in making friends despite being connected to each other all the time. Like most Disney-Pixar films, this one doesn’t just deliver a message; its primary focus is on entertaining the audience. The finale is nail-biting and also touching.
On the flipside, the focus this time is more on Jessie, and one has no complaints about it. However, this happens at the cost of the other toy characters. Shockingly, though Woody has his share of screen time, his character feels forced. Believe it or not, the film’s story would have progressed even if he were not there. Even Buzz Lightyear’s (Tim Allen) character has a limited contribution, though a parallel track of upgraded Buzz Lightyear toys adds some fun to the story. Lastly, the humans are depicted in a silly manner – Lilypad and the toys manage to pull so many strings behind their backs, and yet the adults and kids never even wonder how it all happened. This happened in the previous parts as well, but it dents the impact the most in this part.

Toy Story 5 Movie Review Performances:
Joan Cusack has the maximum dialogues and she puts her heart and soul into Jessie. Tom Hanks and Tim Allen may have insignificant parts, but they do very well with their voiceovers. Conan O'Brien (Smart Pants) is entertaining while Greta Lee, Craig Robindon (Snappy) and Scarlett Spears (Bonnie) lend able support. Mykal-Michelle Harris (Blaze) makes her presence felt. Scarlett Spears and others are fair.

Toy Story 5 movie music and other technical aspects:
Randy Newman's music goes well with the zone of the film. Matt Aspbury and J C Kalache's cinematography is cinematic. As expected, the animation is top-class while Jennifer Neysa Jew's editing is sharp.

Toy Story 5 Movie Review Conclusion:
On the whole, TOY STORY 5 is a relevant and entertaining sequel that works due to its timely message, entertaining moments and emotional scenes.

Toy Story is one of those franchises that has now become a legacy. Three decades and five outings in, it still conjures up the same emotions and nostalgia as chancing upon your favourite toy, neatly stowed away in storage and memory. Writer-director Andrew Stanton brings together the best of classic toys and humour, while making things more relevant with the theme of diminishing offline playtime and increasing screen time.
Eight-year-old Bonnie struggles to make new friends because she is one of those rare children who still plays with good old toys instead of being glued to a screen. As a toy laments, “The age of toys is over!” in the film, her parents give in and buy her Lilypad, a frog-shaped kiddie device. Unsurprisingly, Bonnie is immediately addicted and also gets invited to a friend’s sleepover after they connect on a group chat. Thus begins Jessie and team’s quest to help Bonnie rediscover the joy of real-world play and friendship.
The film proves to be a joyride from the word go, as it gives us a glimpse into what kiddie imaginative play is all about, starting with a poisoned dinosaur at a wedding and the mystery around how it will be solved. The narrative reminds us how addicted kids are to devices, to the point where even electronic toys that run on batteries seem like classic toys.
The classic rivalry between Woody and Buzz, jokes on the former’s age, and a potty-training toy Smarty Pants’s (Conan O’Brien) toilet humour, which is genuinely funny without getting gross, keep the humour lively. A legion of Buzz Lightyears turning into drones, along with the riot of vibrant colours and top-notch graphics, make this a fun watch. Add to that a subtle hint that digital toys can be useful if used judiciously. Lilypad is the one who recognises the code on Buzz Lightyear’s rear that turns them into flying robots and saves the day when needed. It is all fun and games when the classic toys come alive, but when Lilypad and other electronic devices start acting on their own and sending messages, things begin to feel scary.
At approximately 102 minutes, the narrative keeps you engaged throughout, especially with its voice acting. Tom Hanks’s Woody has limited screen time, but he and Tim Allen delight in every scene. Joan Cusack brings warmth, leadership and emotional heft to Jessie, making her the heart of this outing. Greta Lee gives Lilypad the right mix of charm and menace, while Conan O’Brien’s Smarty Pants adds some of the film’s funniest moments.
Toy Story 5 is a colourful, funny and emotionally familiar addition to the franchise. It may not have the novelty of the earlier films, but it finds a relevant conflict for today’s children and parents. The film is a pleasant reminder that some stories, much like favourite toys, still deserve to be picked up again.

There comes a point in every Toy Story film when the toys realise they are being replaced. In the first film, it was Buzz Lightyear. Later, it was the inevitability of growing up. In Toy Story 5, the competition does not arrive with plastic limbs or a catchy catchphrase. It comes fully charged, Wi-Fi-enabled and permanently attached to a child's hand.
Pixar's latest sequel understands a truth many parents have been quietly grappling with for years: toys are no longer competing with other toys. They are competing with screens.

Thirty years after Woody first pulled audiences into Andy's bedroom, Toy Story 5 returns with a surprisingly contemporary identity crisis. While the film occasionally struggles to justify why this franchise needed a fifth chapter, it finds enough emotional honesty within that dilemma to make the journey worthwhile.

The story follows Bonnie, who has become increasingly attached to Lilypad, a child-friendly smart device that quickly becomes the centre of her world. For Jessie, who steps into a larger leadership role this time around, the shift feels less like a phase and more like an existential threat. Toys have spent decades worrying about being forgotten, donated or outgrown. Now, they are confronting something entirely different: a childhood that may no longer need them in quite the same way.

When screens become the new rival
It is a clever premise because it feels uncomfortably familiar.

The film's smartest decision is making Jessie its emotional anchor. Joan Cusack's cowgirl has long been one of the franchise's most emotionally resonant characters, and here she finally gets the space to carry the narrative. Her growing anxiety about losing Bonnie to technology echoes Woody's fears from the original film, but it never feels like a simple rehash. Instead, it reflects a distinctly modern cultural anxiety.

After all, this may be the first Toy Story film in which the villain is neither a toy, a collector nor abandonment itself. It is distraction.

Pixar deserves credit for refusing to turn that idea into a simplistic lecture about technology. Toy Story 5 never argues that screens are inherently harmful or that children should abandon technology altogether. Instead, it asks a more complicated question: what happens when imagination becomes increasingly mediated through devices designed to hold our attention?

Jessie takes centre stage
Woody and Buzz, voiced once again by Tom Hanks and Tim Allen, remain important presences, though Pixar wisely avoids making them the sole focus. Their reduced roles allow newer characters and relationships to emerge without the film feeling trapped by nostalgia. It is a balancing act the franchise has struggled with before, but one that largely works here.
A familiar story with a timely message
The film is also genuinely funny, often finding humour in the absurdity of toys trying to understand a digital world they were never designed for.

That said, Toy Story 5 occasionally feels the weight of being the fifth entry in a franchise that has arguably already delivered its perfect farewell more than once.

Themes such as belonging, relevance and purpose have defined the series from the very beginning. While the technological angle brings freshness, there are moments when the narrative circles back to familiar emotional territory. Certain supporting characters remain underdeveloped, and a few subplots feel more functional than essential.

The film's message can also feel slightly too neat at times. Real-world conversations about technology, childhood and shrinking attention spans are far messier than the film occasionally allows. Still, these shortcomings never entirely undermine what works.
What makes Toy Story 5 resonate is not the adventure itself, but the uncomfortable recognition buried beneath it. Every generation leaves something behind. For Andy, it was his toys. For Bonnie, it may simply be play itself.

The film does not mourn technology. It mourns the shrinking space between boredom and imagination.

So no, Toy Story 5 is not Pixar at its most inventive. Nor does it reach the emotional devastation of Toy Story 3 or the existential elegance of Toy Story 4.

Yet somewhere between Jessie's anxieties, Bonnie's distractions and Woody's familiar wisdom, the film lands on something unexpectedly poignant. The fear of becoming irrelevant never truly disappears; it simply changes shape.

And if Pixar can still make adults emotional over a group of toys having an identity crisis three decades later, perhaps there is still some magic left in the toy box.

Toy Story 5(2026)